+comunity+ Fwd: XL experiment: call for participation in streaming events

Mo Apr 27 10:35:32 CEST 2009

Hello Jogi,

thanks for invitation, the concept is indeed interesting.
We can contribute with our on-line multimedial group of live performing
musicians and experimental sound artists.
We have live sessions every Wednesday between 8pm and 10pm CET, we use
sound sharing server and clients system ninjam for exchanging audio
layers in ogg format.
XL experiment could join in with client software, and use sound from our
session under Creative Commons licence (Attribution-NonCommercial-ShareAlike :
http://creativecommons.org/licenses/by-nc-sa/2.5/ ).
More info about joining the sessions : 
http://whitelabel.name/ -> ninjam help

All the best.
Ales Zemene
-- 
	*** http://ales.mur.at ***

>>> citation of <jogi at mur.at> from Mon, Apr 20, 2009 at 10:03:12AM +0200, Jogi Hofmueller :
> Hallo Leute,
> 
> Von den Nachbarn im Süden.
> 
> LG,
> j.
> 
> -------- Original Message --------
> Subject: XL experiment: call for participation in streaming events
> Date: Fri, 17 Apr 2009 18:01:14 +0200
> From: KUD Trivia <savski at 3via.org>
> Reply-To: savski at 3via.org
> To: jogi at mur.at
> 
> 
> Dear colleagues and friends!
> 
> This is an invitation for your remote participation at an event in
> Ljubljana in Kapelica Gallery. If you have an ongoing event inside the
> dates mentioned below - even better!
> 
> The keyword here is XL Experiment - Re-inventing the radio - pointing to
> the 40 years of  our local radio station Radio Student. The title
> appeared recently as a book published by
> Kunstradio. But since the principle of re-invention is echoing in other
> heads also, we decided to use it as a metaphore - linked with some of
> today\'s visions of Radio Student.
> 
> From 3rd to 8th May 2009 we will be feeding multimedia platform with
> public events (from 20.00 CET to 24.00 CET) - concerts, performances,
> presentations, debates, workshops, ... and less public - ethereal (from
> 0.00 CET to 6.00 CET - in the night) - that we will broadcast directly
> to airwaves (and netwaves) of Radio Student.
> 
> You are invited with any kind of interventions: as participants in
> debates, as remote performers, presenters, as a broadcaster of your
> event. The preferences are in this order: live action, combined
> (sampling) action, recorded action - and this will of course depend on
> what is offered. The languages of communication are any of those that we
> can understand
> (well, the CE english...). The languages of artistic expression can be
> any of those that allow artistic expression (...).
> 
> The international broadcast platform will be multimedia (ogg/theora
> streaming) - sound and vision (= television?) and the interventions will
> be archived and put online. If you are able to participate with sound
> and vision - great! We can accept all the streaming solutions and will
> provide some additional streaming means for your use.
> 
> The internal (human) structure is horizontal (collaborations,
> recombinations, events as modules, self-production, sharing,
> creative-commons, open-source-code, hacking, do-it-yourself), with some
> of the vertical cuts in this body (authors\' artistic
> interventions). The flow is supposed to be a combination of
> serial-parallel and the shedule is not too fixed - and is adaptable.
> 
> Participants on this side are: Borut Savski, Luka Princic, Brane Zorman,
> Luka Frelih, Maja Smrekar, Bojan Andjelkovic, Peter Kisin, Miha Tomsic,
> Arnold Marko, Majda Gregoric, Bostjan
> Leskovsek, Primoz Oberzan, Stefan Doepner, Nina Faric, Orton and others.
> 
> The aim is to compress ourselves and our productions in limited space
> and time and maybe expect amplification - an energy bounce from lower to
> higher: a quantum leap. As a metaphore, of course. Shared experiences
> and collaborations (if succesfull) are the potential for the
> multiplication of similar events in the future.
> 
> This text on web:
> http://www.radiostudent.si/rs40let/details.php?id=119
> 
> The timeline - so far just in slovene language:
> http://www.radiostudent.si/rs40let/details.php?id=120
> 
> Excerpt from the introduction:
> 
> The 40th birthday of Radio Student is a nice opportunity to put to good
> use some of the non-conventional usages of radio as media - and it was
> exactly this radio station that was on the forefront of experimentation
> in the last 40 (XL) years. Though always inspired by the individualistic
> initiatives of various generations of collaborators of Radio Student -
> never fully aware of each other - they successfully added some
> difference to the
> ever-present \'sameness\'. They crossed the borders of conventional
> media - and then moved onwards to the experimental artistic expressions.
> Still, the XL Experiment at Kapelica Gallery will not deal with historic
> timelines.
> 
> After 40 years it is time to put forward some practical actions, some
> research and also some critical discourse and views on advanced (and
> retroactive!) approaches - along with the use of
> inter(active/net)multimedia - usually in artistic ways. Sacred wish is
> to locate the meaningful focuses and combine it with the necessary
> technology - to get the natural approach to contemporary radio media -
> as an intermultimedia platform. So we broadcast live, archive on the
> fly, resample it as we like - and rebroadcast again - as simple and fast
> as possible. The basic principle of radio has always been the shortest
> time from production to performing/publishing.
> 
> The intermultimedia platform in Kapelica can be seen as a
> \'sono-broadcasting and sono-recording radio-cinematographic station
> (remote recording and transmitted sound and vision)\', that was proposed
> by Tziga Vertov at the First all-Soviet conference for the sound motion
> film, about eighty years ago. The question, that here we only ask, is:
> Why was Vertov\'s proposal - though even at that time technologically
> possible - not accepted until this date? And, of course, here we enter
> the domain of ideology, economy, politics and finances; and
> consequently: into the domains of open source code, DIY, hacking,
> hackivism (hacking activism) and the creative commons principles of
> (self-)organisation - because this principles are always political - a
> call to change the code and the rules, when they block any action.
> 
> /text by Bojan Andjelkovic and Borut Savski/
> 
> 
> 
> 
> -- 
> Angela Fessl hat sich über das letzte Gerücht über Edgar Sorgo halb tot
> lachen müssen.
> 
> http://plagi.at/geruecht/
> 
> 

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