**H-I-T** Milica Tomic, Lecture - 6.3. 19:00, Alte Technik Graz
nicole pruckermayr
n.pruckermayr at tugraz.at
Di Feb 28 16:44:56 CET 2012
Herzliche Einladung!
Graz Master Lecture #2
Fakultät für Architektur / TU Graz
(Institut für Zeitgenössische Kunst)
Milica Tomic
Ist Kunst Teil des Problems oder Teil der Lösung?
(Lecture in english)
Alte Technik - HS1
Rechbauerstraße 12
8010 Graz
06/03/2012 - 19 Uhr
The main task of a political art is not just to subvert and question
given structures and the dominant ideological discourse but also to
raise a critical awareness of how art itself is implicated in the
mechanisms of the reproduction of power. In European democratic
societies, art functions as a space where it is possible to act
revolutionarily, subversively, critically or radically, but only
within a set of isolated, strictly controlled conditions. This
inevitably raises the question: is the act of naming something “art”
the first step toward censorship and a diminishing of the relationship
between art and society and of art’s impact on society? Thus posing
the question "Is this art or not?" and refusing to be labeled as art
challenge the consensus. Does this succeed in producing a space where
political art could happen?
What is the role of individual artistic practice within this
framework? What is the significance of self-organized,
multidisciplinary collective work where collaborative creativity is
not only a form of resisting the dominant art system and capitalist
call for specialization and experts but also a performative production
inscribed in a field of exciting, creative interactions and
multidirectional and unpredictable group dynamics? It seems that only
through these interactions can we imagine the realization of our
potentialities. This has certain aesthetic, political and ethical
implications, dangers and potentials that will be unpacked in this
lecture.
Milica Tomić (born in Belgrade, Yugoslavia), lives and works in
Belgrade. Her work centers on issues of political violence, memory and
trauma, exploring the intersections and tensions between the arts and
human rights discourse; personal experience and media constructed
images. Author of numerous international art projects, workshops and
lecturer/guest artist at international institutions of contemporary
art. Founding member of a New Yugoslav art/theory group, Grupa
Spomenik (Monument Group, 2002); one of the founders of the
international platform Yugoslav Studies and Working Group Four Faces
of Omarska. Participated in international exhibitions such as 24th Sao
Paulo Biennale (1998), 49th Venice Biennale (2001), 50th Venice
Biennale (2003); 8th International Istanbul Biennial (2003); Populism,
National Museum of Art, Oslo/Stedelijk Museum, Amsterdam/Frankfurter
Kunstverein (2005); 15th Sydney Biennale (2006); Manufacturing
Today/Trondheim Biennale (2010); 10th Sharjah Biennial (2011).
Participated in artist's residencies at the ArtPace in San Antonio
(2004), DAAD Artist in Residence Berlin (2006), Residencies for
International Scholars, Stanford Humanities Center / Drama department,
Stanford University, USA (2011).
http://milicatomic.wordpress.com/
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