<html><head><meta http-equiv="Content-Type" content="text/html; charset=utf-8"></head><body style="word-wrap: break-word; -webkit-nbsp-mode: space; line-break: after-white-space;" class=""><b class="">NEW PUBLICATION FORMAT! </b><div class="">OUT NOW.</div><div class=""><br class=""><div class=""><br class=""></div><div class=""><u class=""><b class=""><span class="Apple-tab-span" style="white-space: pre;"> </span>INDEX Edition Release #52 – <font color="#fb3305" class="">printed <font class="">book</font></font><font color="#f43507" class=""> inclusive FILM FILE for DOWNLOAD!</font></b></u></div><div class=""><span style="font-style: normal;" class=""><span class=""><span class=""><span class="Apple-tab-span" style="white-space:pre"> </span>96 pages, </span></span><span class=""><span class="">€ 17,00</span></span></span></div><div class=""><span style="font-style: normal;" class=""><span class="Apple-tab-span" style="white-space:pre"> </span>purchas</span>e <a href="https://www.sixpackfilm.com/en/indexedition/release/52/" class=""><span class="" style="font-size: 14px;"><i class="">—</i></span><i class="" style="font-size: 14px;">>></i></a><br class=""><br class=""><a href="https://www.sixpackfilm.com/en/indexedition/release/52/" class=""><img apple-inline="yes" id="2676B216-77B2-4D92-94C7-0709C0BA77D5" src="cid:AA7FB537-CB55-43B7-82AF-D60B81A9EE40" class=""></a><br class=""><div class=""><blockquote class="" style="margin: 0px 0px 0px 40px; border: none; padding: 0px;"><div class=""><br class=""></div></blockquote></div><div class=""><span class="" style="font-style: normal;"><span class="">______<b class=""><font color="#f60646" class="">Orders</font>:</b> <a href="mailto:isabelle@sixpackfilm.com" class="">isabelle@sixpackfilm.com</a></span></span></div><div class=""><span class="" style="font-style: normal;"><span class=""><br class=""></span></span></div><div class=""><span class=""><span class="" style="font-style: normal;">I<b class="">NDEX Edition release #52</b></span> is a printed publication in German and English language with three original <b class="">text contributions by<span style="font-style: normal;" class=""> </span></b><span class="" style="font-style: normal;"><b class="">Elfriede Jelinek, by Silvia Heimader</b> and <b class="">Sylvia Szely</b></span> plus a <font color="#ff0042" class="">download access</font> for <span class=""><i class="">Ramsau am Dachstein</i></span> (<font color="#ff2802" class="">video file with English or German subtitles</font>). </span></div><div class=""><span class="" style="font-style: normal;"><br class=""></span></div><div class=""><span class="" style="font-style: normal;"><b class=""><span class="">About the film</span>:</b> Between 1975 and 1977, national broadcaster ORF produced ten portraits of individual Austrian regions, commissioned from promising authors and filmmakers. Elfriede Jelinek, a declared cineaste, wrote her first screenplay with </span><span class=""><i class="">Ramsau am Dachstein</i></span><span class="" style="font-style: normal;">. The film, directed by Claus Homschak, takes an unflinching look at Styrian rural and peasant life. Jelinek's text, which is partly spoken on screen by the author herself, deconstructs piece by piece those myths of naturalness that form the basis for the success of the tourist industry. The appeal to give things and circumstances back their history is immediately implemented by Jelinek herself in her interview with the old field hand Josefa.</span></div><div class=""><span class="" style="font-style: normal;"><br class="">The project was a source of conflict. The broadcast was met with protests from the ÖVP (the conservative party) and the Bauernbund, the farmers’ organization affiliated with it. Jelinek experienced her first major media frenzy. </span><span class=""><i class="">Ramsau am Dachstein</i></span><span class="" style="font-style: normal;">, still topical (just think of Ischgl) and a key work in Austrian film history, was to remain her last television work.</span></div><div class=""><span class="" style="font-style: normal;"><br class=""></span></div><div class=""><span class="" style="font-style: normal;"><b class=""><span class="">About the publication</span>:</b> In her contribution, Silvia Heimader, editor and archive researcher, explores the context of the making and the immediate reception of </span><span class=""><i class="">Ramsau am Dachstein</i></span><span class="" style="font-style: normal;">. Film and television historian Sylvia Szely, in turn, extends her analysis to the "</span><span class=""><i class="">Ramsau am Dachstein</i></span><span class="" style="font-style: normal;"> Complex," which also includes two radio plays.<br class=""><br class=""></span></div><div class=""><span class="" style="font-style: normal;">In the summer of 2022, Elfriede Jelinek herself looked back on the project, her approach to it and its reception in a text entitled "Shipwreck on the Mountain“.</span></div><div class=""><span class="" style="font-style: normal;"> </span></div><div class=""><span class=""><span class=""><span style="font-style: normal;" class="">For further information please contact: <a href="mailto:office@sixpackfilm.com" class="">office@sixpackfilm.com</a> or +43 1 526 0990</span><br class=""><span style="font-size: 14px;" class=""> </span></span></span></div></div>
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