<html><body style="word-wrap: break-word; -webkit-nbsp-mode: space; line-break: after-white-space;"><head><meta http-equiv="Content-Type" content="text/html; charset=utf-8"></head><div style="word-wrap: break-word; -webkit-nbsp-mode: space; line-break: after-white-space;" class=""><meta http-equiv="Content-Type" content="text/html; charset=utf-8" class=""><div style="word-wrap: break-word; -webkit-nbsp-mode: space; line-break: after-white-space;" class=""><meta http-equiv="Content-Type" content="text/html; charset=utf-8" class=""><div class=""><span style="background-color: rgb(254, 254, 254);" class=""><br class=""></span><div class=""><div class=""></div><div class=""><br class=""></div></div><div class=""><div class=""><span style="font-size: 14px;" class=""><span class=""><span class="" style="caret-color: rgb(51, 51, 51); color: rgb(51, 51, 51); background-color: rgb(255, 255, 255);">With this Italian journey through time, Constanze Ruhm continues her variations of modern cinema´s female characters. In a dual essayistic movement, the artist researches the history of a film’s shooting and uses the found material </span></span><span class="" style="caret-color: rgb(51, 51, 51); color: rgb(51, 51, 51); background-color: rgb(255, 255, 255);">for an imaginary transcription of a role. Following Godard´s </span><span class="" style="caret-color: rgb(51, 51, 51); color: rgb(51, 51, 51);">Nana S.</span><span class="" style="caret-color: rgb(51, 51, 51); color: rgb(51, 51, 51); background-color: rgb(255, 255, 255);">, she now selects </span><span class="" style="caret-color: rgb(51, 51, 51); color: rgb(51, 51, 51);">ANNA</span><span class="" style="caret-color: rgb(51, 51, 51); color: rgb(51, 51, 51); background-color: rgb(255, 255, 255);">, Roman Cinéma Vérité by Alberto Grifi and Massimo Sarchielli, which in the critical gesture of the 1970s, makes the gaze a political issue. </span></span></div><div class=""><span class=""><span class="" style="font-size: 14px; caret-color: rgb(51, 51, 51); color: rgb(51, 51, 51); background-color: rgb(255, 255, 255);">Using the archive images and sounds as starting point, </span><span class="" style="font-size: 14px; caret-color: rgb(51, 51, 51); color: rgb(51, 51, 51);"><b class="">Gli appunti di Anna Azzori</b></span><span class="" style="caret-color: rgb(51, 51, 51); color: rgb(51, 51, 51); background-color: rgb(255, 255, 255);"><span style="font-size: 14px;" class=""> changes the perspective from which the truth content of the documentary-like staging can be gauged. <i class="">(Christa Blümlinger)</i></span></span></span></div><div class=""><br class=""></div><div class=""><i class=""><span style="font-size: 14px;" class="">Mit dieser italienischen Zeitreise setzt Constanze Ruhm ihre Variationen
über weibliche Figuren des modernen Kinos fort. In einer essayistischen
Doppelbewegung forscht die Künstlerin nach der Geschichte der
Dreharbeiten eines Films und nutzt das gefundene Material für die
imaginäre Umschrift einer Rolle. Nach Godards Nana S. fällt die Wahl nun auf Anna,
römisches Cinéma Vérité aus der Hand von Alberto Grifi und Massimo
Sarchielli, das im kritischen Gestus der siebziger Jahre den Blick zur
politischen Frage machte. Ausgehend von Archivbildern und -tönen
wechselt <b class=""><i class="">Gli appunti di Anna Azzori</i></b> nun die Perspektive, aus der sich der Wahrheitsgehalt der dokumentarischen Inszenierung vermessen lässt.</span><i style="font-size: 14px;" class=""> </i></i><span style="font-size: 14px;" class=""><i class=""><span style="caret-color: rgb(51, 51, 51); color: rgb(51, 51, 51);" class="">(Christa Blümlinger</span><span style="caret-color: rgb(51, 51, 51); color: rgb(51, 51, 51);" class="">)</span></i></span></div><div class=""><br class=""></div><div class=""><br class=""></div><div class=""><span class="" style="font-size: 14px;">Please find more informations about the film <a href="http://sixpackfilm.com/de/catalogue/show/2573" class="">here</a></span></div><div class=""><span style="font-size: 14px;" class=""><br class=""></span></div><div class=""><span style="font-size: 14px;" class="">--</span></div><div class=""><span style="font-size: 14px;" class=""><div class="" style="font-size: 12px;"><span style="font-size: 14px;" class="">Constanze Ruhm, Brigitta Burger-Utzer (0043-699-11391906) and Dietmar Schwärzler (0043-699-9018732) will be present at the Berlinale.</span></div><div class="" style="font-size: 12px;"><span class="" style="font-size: 14px;">You can reach us also by email: <a href="mailto:brigitta@sixpackfilm.com" class="">brigitta@sixpackfilm.com</a>, <a href="mailto:dietmar@sixpackfilm.com" class="">dietmar@sixpackfilm.com</a></span></div><div class="" style="font-size: 12px;"><span class="" style="font-size: 14px;"><br class=""></span></div><div class="" style="font-size: 12px;"><span class="" style="font-size: 14px;">Best wishes</span></div><div class="" style="font-size: 12px;"><span class="" style="font-size: 14px;">sixpackfilm</span></div><div class=""><span class="" style="font-size: 14px;">--</span></div></span></div><div class=""><span style="font-size: 14px;" class=""><br class=""></span></div></div><div class=""></div></div></div></div></body></html>