<html><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space;" class=""><font size="4" class=""><span style="font-style: normal;" class=""><b class="">sixpackfilm going Karlovy Vary !!!</b></span></font><br class=""><br class=""><span style="font-size: 14px;" class="">we are very happy to announce that again two films from sixpackfilm’s catalogue have been selected to be screened at</span><br class=""><br class=""><b class=""><font size="5" class=""><span style="font-style: normal;" class="">Karlovy Vary International Film Festival </span></font><br class="">June 28th - July 6th, 2019</b><br class=""><br class=""><br class=""><font size="4" class=""><span style="font-style: normal;" class=""><b class="">TX-REVERSE</b></span></font><br class=""><span style="font-style: normal; font-size: 14px;" class="">by Virgil Widrich and Martin Reinhard</span><div class=""><br class="">AT 2019, 7 min - International Premiere<br class=""><br class=""></div><div class=""><img apple-inline="yes" id="6F6B4133-A1A1-461E-AAD8-D10B5872AF40" src="cid:62C8F27F-FDA8-4F21-B72E-B0F7CEE95722@local" class=""><br class=""><br class=""></div><div class="">The historical agreement is well known: we sit in the cinema and watch something made about people like us on the screen. But do the characters and cities that we observe know that we are eavesdropping? Probably not. For that reason, we can´t be certain whether we have self-willed lives or are characters in a film... That is, where does the realm of the audience end, and the one inside the screen begin? Is there a cinematographic semantic comma that marks the transition or is it fluid, more of an "and"? tx-reverse demonstrates the latter. And how? Manifestly and also sensually: through a 360-degree-panorama recording of a movie theater filled with viewers, Babylon cinema in Berlin, by means of the tx-transform technique, which Martin Reinhart developed more than twenty years ago. This, for its part, can be described quite simply, along the lines of a formula: the space and time axes of a recording are interchanged — the frame, if there is one in the digital world, shows the complete length in terms of time of each recording, but only a fraction of the space, thus precisely the opposite of what we know — where all is completely logical, entirely subordinated to the well-known laws of physics. But what does that look like? (Olaf Möller)</div><div class=""><a href="http://www.sixpackfilm.com/en/catalogue/show/2514" class="">more</a></div><div class=""><br class="">— <br class=""><br class=""><font size="4" class=""><span style="font-style: normal;" class=""><b class="">WATER AND CLEARING</b></span></font><br class=""><span style="font-style: normal; font-size: 14px;" class="">by Siegfried Fruhauf</span></div><div class=""><span style="font-size: 14px;" class=""><br class=""></span>AT 2018, 5 min</div><div class=""><br class=""><div class=""><img apple-inline="yes" id="53C6DF8E-81BE-460C-828E-747B9DD710C8" src="cid:4E4EA74A-0D23-47C0-866D-B07FE11AE658@local" class=""><br class=""><div class=""><br class="">Siegfried A. Fruhauf has been described as a "master of the wave". If he pulverizes things (objects, movements, landscapes, vistas of vision) down to their smallest components, it is so he can reconstitute them into numerous possible worlds, using the energy waves of image-sound fusion. The film title declares its given elements: a bucket is conveyed to a spot where it is filled and later emptied; and there are views of a field. Then the real film-work begins: intercutting frame by frame, a full sound design, rapid flashing between colour and high-contrast black-and-white. An audiovisual study that reformulates our powers of perception. (Viennale 2018, Adrian Martin)<br class=""><a href="http://www.sixpackfilm.com/en/catalogue/show/2498" class="">more</a><br class=""><br class="">—</div><div class=""><br class=""><span style="font-size: 14px;" class="">both being selected for the </span><span style="font-size: 14px; font-style: normal;" class=""><b class="">IMAGINA</b></span><span style="font-size: 14px;" class="">-section</span><br class=""><br class=""><span style="font-size: 14px;" class="">scheduled:</span><br class=""><span style="font-size: 14px;" class="">28/6 - 13:30 Husovka Theatre</span><br class=""><span style="font-size: 14px;" class="">30/6 - 11:30 Drahomíra</span><br class=""><span style="font-size: 14px;" class="">2/7 - 16:30 Husovka Theatre</span><br class=""><span style="font-size: 14px;" class="">5/7 - 14:00 Cinema B</span><br class=""><br class=""><span style="font-style: normal; font-size: 14px;" class="">for the complete selection please check out <a href="https://www.kviff.com/en/programme/catalog-of-films/sekce/694-imagina" class="">here</a></span></div><div class=""><br class=""><span style="font-size: 14px;" class="">—</span></div><div class=""><span style="font-size: 14px;" class=""><br class="">Dietmar Schwärzler / sixpackfilm will be present at Karlovy Vary from june 30th to july 3rd:</span></div><div class=""><span style="font-size: 14px;" class=""><a href="mailto:dietmar@sixpackfilm.com" class="">dietmar@sixpackfilm.com</a></span></div><div class="">—</div><div class=""><br class=""></div><div class=""><a href="http://www.sixpackfilm.com" class="">www.sixpackfilm.com</a><br class=""><br class=""></div></div></div></body></html>