**H-I-T** [Interpenetration] Rie Nakajima & Pierre Berthet und Gigaldi am 21.6. bei Interpenetration im chachamaru

chmafu nocords chmafu at nocords.net
Di Jun 19 09:52:00 CEST 2018


 chmafu                 nocords (http://nocords.net) newsletters
 Interpenetration 
 Konzertreihe (http://interpenetration.net) 
 21.06.2018
 
 Rie Nakajima & Pierre                       Berthet
 Gigaldi 
 
 in Zusammenarbeit mit KiG! Kultur in Graz
 
 茶々丸 @ Volkshaus
 Lagergasse 98A
 8020 Graz
 Einlass: 19:00 
 Konzert: 20:00
 Eintritt: €2-6

 Aktuelle Informationen und Videos: http://interpenetration.net
 
  

 Das letzte konzert vor der sommerpause (in der wir möglicherweise   
         die eine oder andere überraschung parat haben). Als
einstimmung auf             den hoffentlich bald bevorstehenden sommer
mit Gigaldis "Sommer".             Und einer Japanisch-Belgischen
mischung aus installation und             konzert. Ausserdem ist die
terrasse im Volkshaus ab 15 uhr für euch             geöffnet. Für
durstige wird sich sicher auch dann schon das eine             oder
andere getränk finden lassen.
 Und... die chance, dass die t-shirts am Donnerstag da sein
werden,   
         ist nicht schlecht. Eigentlich gut sogar. Fast astronomisch.
 Einen hab ich aber noch:
 Was sagt der volkstümliche schlagerstar zum interpenetranten        
    experimentalmusiker?...
 ...
 ...
 ...
 ...
 ...
 ...
 ...
 ...
 ...
 "Zum flughafen, bitte!"
 又ね
 愛
 
  
 Rie Nakajima & Pierre               Berthet
 
 Dead Plants and Living Objects
 
 Tin cans, whistles, locomotive suspension springs, porcelain bowls,  
          compressor top bells, ping pong balls, agave dry leaves,
sponges,             steel wires, branches, paper foils, plastic bags,
silver papers,             pink gloves, piano, balloons, buckets,
feathers, water, scraps,             peebles, flower pots, guitar,
metal tubes, paulownia tree seeds,             pearls, bamboo sticks,
logs, bones, stones, filter queens…
 
 RN and PB have been creating various ways to vibrate things so that  
          their acoustic shadows dance around: invisible air volumes
that             reshape
constantly, move in the space, enter in the
most secret             places and inside ourselves. A way to get
closer to things inherent             spirits is to listen to them.
Eventually encouraging them to produce             sounds and resonate
by various means: to hit, caress, shake, beat,             scrape,
scratch, claw, boil, clap, rattle, rock, throw, move,            
magnetize, clamp, cook, pinch, galvanize, motorize, bow, blow,        
    pluck, heath up, let flow, freeze, drop, drip, connect, roll, mix,
            extend, sing…<a
href="https://davidtoopblog.com/2017/09/14/a-distributed-conglomerate-instrument/">
 
 https://davidtoopblog.com/2017/09/14/a-distributed-conglomerate-instrument/</a>
 
 
 Gigaldi
 
 Sommer / Summer / 夏
 
 “Das ganze Doppelalbum” is the first solo release of Gigi Gratt
aka             Gigaldi. Since 2005 Gratt plays in intense bands like
the             improvisation trio Nirwakia with Wolf Lobo Eisberg and
Martin ‘Hipi’          
  Hiptmair. At the same time he started
with Bernhard Breuer (Elektro             Guzzi) the band Tumido. But
Gratt also created Gigi’s Gogos, a 13             piece orchestra
built around improvisation conducted by Gigi. This             project
transferred into the GIS Orchestra, an Upper Austrian            
improvisation orchestra, with up to 30 musicians (organised in        
    collaboration with Waschaecht Wels (Unlimited Festival). Gratt
comes             from Ottensheim, he is one of the key pillars of
Ottensheim Open Air             and organises shows for KOMA, a
culture association doing shows at             changing spaces. He is
playing E-Guitar in the post-math-rock             quartet of NI, next
to BRAAZ a quartet between Jazz and Noiserock,             with a lot
of space for improvisation. These days Gratt is also            
playing at DRUMSKI a collective working in a traditional way with     
       (upper-)austrian proverbs. And if he is not involved in new 
  
        projects, his next other band is ROMANOVSTRA working in a new
way             with hungarian proverbs.
 
 In 2015 Gratt transferred the idea of a concept recording having     
       every season one piece, giving each season its own instrument.
This             was also the time he has chosen GIGALDI as his
moniker. In winter             2013 he recorded, like every track on
“das ganze Doppelalbum”,             “winter” in Ottensheim
with E-Bass, a dark, close to 16 minutes             song. On
“frühling”, Gratt uses the flugelhorn, a following            
composition of TUMIDO’s album “vakuum”, that was completely
recored             using wind instruments. On the 2nd LP,
“sommer” was recored in             Schrattenberg in 2016, Gratt
uses the Tres, a cuban string             instrument and “herbst”,
with E-Guitar, he recorded in a gym hall             with an amzing
acoustica in Vinac, Bosnia. His Tumido fellow Mario            
Stadler mixed
the album at the Goon Studios / Linz / Austria.         
   Mastering done by legendary Alexander Jöchtl aka Audiobomber. The 
           artwork was done by artist Inga Hehn. The liner notes in
the album,             are written bei Andreas Fellinger of the
Austrian Independent zine             “Freistil”. Released by
Interstellar Records, that collaborated with             Gigi for more
than 10 Years resulting in the releases of TUMIDO, NI             and
BULBULTUMIDO.
 
 
  
  


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