**H-I-T** [Interpenetration] Cilantro, Ottone Pesante und Aquifer am 1.2. bei Interpenetration im Wakuum

[chmafu nocords]

 chmafu                 nocords (http://nocords.net) newsletters
 Interpenetration 
 Konzertreihe (http://interpenetration.net) 01.02.2018
 
 Cilantro
 Ottone Pesante
 Aquifer 
 
 in Zusammenarbeit mit Club Wakuum
 
 Club Wakuum
 Griesgasse 25
 8020 Graz
 Einlass: 20:00 
 Konzert: 21:00

 Aktuelle Informationen und Videos: http://interpenetration.net
 
  

 Matteo Uggeris blick in die musikkonservensammlungen verschiedenster 
           musikerinnen, labelbetreiberinnen, veranstalterinnen usw.
ist ein             faszinierendes projekt und mittlerweile so weit
gediehen, dass ich             euch hier davon erzählen kann. Bzw.
nichts erzählen werde, weil es             besser ist, wenn ihr
selbst reinschaut: https://concreteshelves.blog/
 Viel vergnügen!
 又ね
 愛
 
  
 Cilantro
 
 Von wegen mikro. Im Borderland (mikroton cd 53) von CILANTRO         
     erwarten einen hypersome Raupen, Grillen, groß wie
Ochsenfrösche,               Walfische auf Rädern,
Gray-cap
‘Mold’, wamperte Figuren, die Big               Dom oder Prince
Tubby(‘Prinz Wompe’) heißen könnten. Weird Sonic              
Fiction, wie “Melancholie des Widerstand” (aka “Die             
 Werckmeisterschen Harmonien”), “City of Saints and Madmen” oder
              “Dunkle Stadt Bohane”, wahrhaftig vertont. Angélica
Castelló &               Billy Roisz reiseführen nach
‘Smoketown’ (nach Ambergris…) mit               Rauchspuren von
Paetzold-Blockflöte, Ukulele, E-Bass, Organ,               Computer,
Tapes, TVSamples und Electronics, ohne Scheu, als              
narrativ und phantastisch (miss)-verstanden zu werden, wenn sie da    
          wummern, brausen und krimskramsen, überzogen mit einem
knisternden               Geräuschfilm. Aber auch nostalgischer und
hauntologischer Patina,               wie bei ‘Calypsoblues’ und
‘Lullaby for a Ghost’, wo das Blau und               Immergrün zu
Evergrey verrauscht, verdüstert
und verflimmert sind.
 (Review von Rigobert Dittmann, Bad Alchemy)
 
 http://mikroton.net/recordings/mikroton-cd-53
 
 
 
 Ottone Pesante
 
 Pesante is an instrumental trio composed by trumpet, trombone and    
          drums that plays “Heavy Metal”.
 “We are a really heavy brass band and we use effects on brass      
        (distorions, octavers…) to make it heavier. Our music is
very fast               and it’s a challenge for brass instruments
players, but sometimes               it goes in the opposite direction
becoming very very slow.
 It’s something between extreme metal, jazzcore, brass bands.”
 
 The album “BRASSPHEMY SET IN STONE”:
 One year after they released their first EP, which was the first     
         step, Ottone Pesante (Heavy Brass) release the first album.
That               confirms that was not a joke, neither a
divertissement.
 Trumpet, trombone and drums can be together really heavy. Ottone     
         Pesante makes a step beyond the
traditional idea of Extreme
Metal,               based on the sound of Bass and Guitar. They do
this after 90 gigs               in the last year, playing all around
Italy and in Europe.
 “Brassphemy set in stone” is the evolution of Ottone Pesante.    
          Music has become heavier, more extreme and more technical
but also               melodic in the same time. The album is very
fast and brutal,               really impressive especially for brass
players. “Trombstone” is               the only exception, a doom
track that lets the listener breath.
 “Brutal” is the first song, symbol of the Heavy Brass Metal.     
         “Nights Blood” is a Melodic Death Metal track inspired by
the               Swedish metal band “Dissection”. “Bone
Crushing” is the chosen               track for the video, recorded
on high mountains. The clip shows               how physical Ottone
Pesante music is.
 “Torture machine tool” is inspired by Meshuggah, heavy riffs
and
a               cutting trumpet solo make this track very special.
“Copper               Sulphate” is the fastest song, a grind song
that make you feel in               the middle of the mosh pit. The
last track “Apocalips”, is a 4               minutes ride that
continue to hurt ears and brain.
 The album was recorded live, during 4 days between May and June      
        2016, in the only moment that Ottone Pesante tour stopped.
 
 http://www.ottonepesante.it/
 
 
 
 Aquifer
 
 Aquifer is a solo electronic performance by Tomer Baruch in which    
          he explores the possibility of a made-up nostalgia. By live 
             sampling and processing toys and vintage organs, the
music is               retaining a hint of familiarity in a futuristic
soundscape;               shifting from naive to abstract and
vice-versa; projecting the               illusion of a longing to
something that never were…
 
 http://aquifer.tomerbaruch.com/
 
  
  


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