**H-I-T** [Interpenetration] Miman, Wilhite und Gigaldi am 19.4. bei Interpenetration im chachamaru (Volkshaus, 3.Stock)
chmafu nocords
chmafu at nocords.net
Di Apr 17 09:36:58 CEST 2018
chmafu nocords (http://nocords.net) newsletters
Interpenetration
Konzertreihe (http://interpenetration.net) 19.04.2018
Miman
John Andrew Wilhite
Gigaldi
in Zusammenarbeit mit KiG! Kultur in Graz
茶々丸 @ Volkshaus
Lagergasse 98A
8020 Graz
Einlass: 19:00
Konzert: 20:00
Eintritt: €2-6
Aktuelle Informationen und Videos: http://interpenetration.net
Die freundin einer freundin hat einmal gesagt, political correctness
diene nur dazu, mitgefühl und denken möglichst unbemerkt
durch unterwerfung und machtgefühl zu ersetzen. Nicht,
dass ich ihre meinung teile. Aber ich bin ja auch einer
der weltweit drei, die sich weigern, mit dem gesicht im
buche, noch mehr zucker auf den eh schon viel zu hohen
hohlberg zu häufen.
又ね
愛
Miman
Miman is an improvising trio consisting of fiddler Hans Kjorstad,
guitarist and clarinetist Andreas Røysum and bassist
Egil
Kalman; three of the most distinct and active young voices
on the thriving Scandinavian improv scene. You might have
heard them in collaboration with people like Tobias
Delius, Tristan Honsinger, Axel Dörner, Frode Haltli,
Håkon Thelin, Jasper Stadhouders, Henrik Nørstebø,
Adrian Myhr, Frode Gjerstad, Christian Wallumrød and Rhys
Chatham, or in a plentitude of bands covering the spectrum from folk
music to noise. As a trio their sound is shaped by their
diverse backgrounds and influences; Norwegian, English and
Indian folk music blends seamlessly with sentiments aching
to free jazz and contemporary music in an organic fashion
that steers clear of the dogmatic.
The trio has toured all over Europe the last year, and in April 2018
they will release their debut album and keep spreading
their sound across the continent.
http://www.mimantrio.com/
John Andrew Wilhite
John Andrew Wilhite is a composer and double bassist currently
living in Oslo, Norway. After his studies, John Andrew returned
to New York where he worked with notable musicians such as
Derek Baron, Michael Evans, and Elliott Sharp. In Europe,
he works with Brad Henkel, Ståle Solberg, Noah Punkt and
Nana Pi Aabo Larsen, among many others. He also writes
opera and incidental music, collaborating often with
Norwegian dramatist Finn Iunker.
His compositions and arrangements have been performed at series and
festivals such as Interpenetration (AU), Sacred Realism
(DE), METEOR (NO), and the Ultima Festival (NO).
John Andrew also performs classical music. Having performed across
Europe and in America at venues such as Lincoln Center and
the Peabody Institute, John Andrew specializes in
contemporary works
for double bass, notably those of
Stefano Scodanibbio. John Andrew has studied classical
double bass with notable teachers including Orin
O’Brien, Ira Gold, Francesco Petracchi and Don Palma. He is
completing a Masters degree in Double Bass performance at the
Norwegian Academy of Music with Håkon Thelin and Dan Styffe.
http://johnandrew.no/
Gigaldi
Frühling / Spring / 春
He’s back. The man, the legend. Johann Amadeus Gigaldi. Playing the
flugelhorn. Like a boss!
“Das ganze Doppelalbum” is the first solo release of Gigi Gratt
aka Gigaldi. Since 2005 Gratt plays in intense bands like
the improvisation trio Nirwakia with Wolf Lobo Eisberg and
Martin ‘Hipi’ Hiptmair. At the same time he started
with Bernhard Breuer (Elektro Guzzi) the band Tumido. But
Gratt also created Gigi’s Gogos, a 13 piece orchestra
built around
improvisation conducted by Gigi. This project
transferred into the GIS Orchestra, an Upper Austrian
improvisation orchestra, with up to 30 musicians (organised in
collaboration with Waschaecht Wels (Unlimited Festival). Gratt
comes from Ottensheim, he is one of the key pillars of
Ottensheim Open Air and organises shows for KOMA, a
culture association doing shows at changing spaces. He is
playing E-Guitar in the post-math-rock quartet of NI, next
to BRAAZ a quartet between Jazz and Noiserock, with a lot
of space for improvisation. These days Gratt is also
playing at DRUMSKI a collective working in a traditional way with
(upper-)austrian proverbs. And if he is not involved in new
projects, his next other band is ROMANOVSTRA working in a new
way with hungarian proverbs.
In 2015 Gratt transferred the idea of a concept recording having
every season one piece, giving each season its own instrument.
This was also the time he has chosen GIGALDI as his
moniker. In winter 2013 he recorded, like every track on
“das ganze Doppelalbum”, “winter” in Ottensheim
with E-Bass, a dark, close to 16 minutes song. On
“frühling”, Gratt uses the flugelhorn, a following
composition of TUMIDO’s album “vakuum”, that was completely
recored using wind instruments. On the 2nd LP,
“sommer” was recored in Schrattenberg in 2016, Gratt
uses the Tres, a cuban string instrument and “herbst”,
with E-Guitar, he recorded in a gym hall with an amzing
acoustica in Vinac, Bosnia. His Tumido fellow Mario
Stadler mixed the album at the Goon Studios / Linz / Austria.
Mastering done by legendary Alexander Jöchtl aka Audiobomber. The
artwork was done by artist Inga Hehn. The liner
notes in
the album, are written bei Andreas Fellinger of the
Austrian Independent zine “Freistil”. Released by
Interstellar Records, that collaborated with Gigi for more
than 10 Years resulting in the releases of TUMIDO, NI and
BULBULTUMIDO.
Interpenetration website
(http://interpenetration.net)
chmafu nocords auf youtube
(http://www.youtube.com/user/marufura)
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