**H-I-T** [Interpenetration] Albatre, Soft Kill Option und Hexenschuss am 6.4. bei Interpenetration im Wakuum
chmafu nocords
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Di Apr 4 11:07:00 CEST 2017
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Interpenetration
Konzertreihe (http://interpenetration.net) 06.04.2017
Albatre
Soft Kill Option
Hexenschuss
in Zusammenarbeit mit Club Wakuum
Club Wakuum
Griesgasse 25
8020 Graz
Einlass: 20:00
Konzert: 21:00
Aktuelle Informationen und Videos: http://interpenetration.net
Wenn im wald der fluch verweht,
wo dann bald die buche steht,
dann ist es spring und mit dem winter schluss.
D'rum sei ein king bei Albatre, Soft Kill Option und Hexenschuss.
又ね
愛
Albatre
The screwed up, angry, either riff-based or totally abstract
punk-metal-free jazz-noise played by Albatre may be one of the
very best offers coming from the Rotterdam underground
scene. Everything emerged in distortion and with a
sometimes heavy, sometimes crazily fast beat. But if the
music is explosive and always searching for the
maximum
impact,there’s a place for nuance and for detail, with
the three contributors throwing intriguing elements to
the magma of sound.
“ALBATRE is a brain blow. With a jazz -core vortex that devours
us.”
https://albatremusic.wordpress.com/
https://albatre.bandcamp.com/
<a href="https://albatre.bandcamp.com/" target="_blank">
</a>
Soft Kill Option
„Urbaner ヨ-Jazz im Trioformat mit tiefergelegtem Chassis und der
Lizenz zum Headbangen.(Falter Top 10 des Jahres 2015)
„Jazz, der vom Energielevel her ordentlich abgeht und so richtig
schön kantig und ungehobelt aus den Boxen schallt.“
(Michael Ternai, MICA).
„Changierend zwischen Slowcore & speedy, funky & punky
erinnern SKO ein wenig an Ken Vandermarks Spaceways Inc. File
under: Urban Headbang Noir Jazz.“
(Klaus Nchtern, Falter)
„Grenzgänger einerseits, Experimentierer andererseits, die sich
das Beste aus Jazz und Rock herausfiltern und zu einer
Melange der Extraklasse verschmelzen.“
(Herbert Heil, wegotmusic.de)
„In ihren besten Momenten klingt diese Musik als wäre die Inbrunst
des Jazzrock in den Sound von Rage Against The Machine
gefahren und hätte noch ein bisschen was von King
Crimson aus den 70ern mitgenommen.“
(Christoph Irrgeher, Wiener Zeitung)
http://www.softkilloption.com/
<a href="http://www.softkilloption.com/" target="_blank">
</a>
Hexenschuss
Keyboard and drums duo Hexenschuss produce fast-paced, sharp and
nasty instrumental tracks which merge classic EBM
sensibilities with contemporary sound interests. The
music is beat-driven and dirty, and shies away neither
from experimental nor pop. It attacks all senses with
relentless sound textures, sequencer-like beats, and
guitar samples. Underneath the apparent
simplicity of
their hypnotic, repetitive music lies a deep, constantly evolving
musicality.
The band members are influenced by a variety of artists, none of
which could be traced in their sound. Although Hexenschuss
believe in live instrumental performance
(drums/keyboards) the approach towards the music they
produce is more similar to the electronic music world.
Minimalistic and repetitive trance-like phrases are very
well influenced by techno music as well as alternative acts
like the Fall. German Krautrockers Faust and their like were quite
an influence on the sounds palette, whereas Post-Punk
band Wire’s ability to compose less than two minutes
long masterpieces certainly influenced the more
song-based tracks.
The rhythms are complex but packed in a simple groovy beat,
influenced by noise rock and sometimes
prog rock. The keyboards
are layered with distorted wall of sound which is still
clear in definition and melody and it is played like an
electric guitar set up. It avoids sequencing & sampling
and is played like an analogue instrument – with
effect racks that could be turned on and off and
manipulated while playing. The combination of sounds can
be described as mean and sweet, dark and cinematic. The noise
that Hexenschuss make is usually either hypnotic psychedelic
effect-soaked soundscapes wrapped around a hypnotic beat, or
stripped-down but carefully structured skeletons of
songs, very short, compressed and minimal – they’re
not real songs, since there are no vocals on them, more
like parodies or reflections about popular songwriting,
usually made up of only two parts. Although their music
is
constructed of repetition of simple bass lines and
drum beats, the foundation of their music is a good song
structure.
The attitude of the duo is post-punk, meaning the music brings
something new and doesn’t play an existing defined
sound/genre. Hexenschuss music crosses over many genres
and can attract music lovers from a wide range of
styles- from dance to rock, from post-punk to general
psychedelia.
http://www.hexxenschuss.com/
Interpenetration website
(http://interpenetration.net)
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