**H-I-T** [Interpenetration] Judy Dunaway & Hankil Ryu / Matija Schellander / noid & Tatsuru Arai am 17.11. bei Interpenetration @ 茶々丸 @ Baustelle
chmafu nocords
chmafu at nocords.net
Mo Nov 14 11:05:25 CET 2016
chmafu nocords (http://nocords.net) newsletters
Interpenetration
Konzertreihe (http://interpenetration.net) 17.11.2016 (do)
Judy Dunaway
Hankil Ryu & Matija Schellander & noid
Tatsuru Arai
in Zusammenarbeit mit KiG Kultur in Graz
茶々丸 @ Baustelle
Lagergasse 98A
8020 Graz
Einlass: 19:00
Eintritt: €2-6
Aktuelle Informationen und Videos: http://interpenetration.net
Nur Wow, OMG, TLDR und ähnliche drei-buchstaben-wörter können
beschreiben, was für ein abend uns diesen Donnerstag
bevorsteht. Was James Marshall Hendrix für die
stromgitarre war, ist Judy Dunaway für die luftballons
und Hankil Ryu für die schreibmaschine. Pioniere,
visionäre und grossmütter sind da wohl die einzigen
superlative, die einer einfallen. Und dass diese geballte ladung
alltag dann auch noch mit den aktuellen klang-geologischen
forschungen Arais gewürzt präsentiert
wird, zeigt nicht nur,
dass Interpenetration wieder einmal die nase ganz weit
oben... äh.... vorn hat, sondern auch den weg für euch.
Denn diesen Donnerstag abend will sich niemand - ich
wiederhole: keine - entgehen lassen. So eine ansammlung an
megastars gab es nicht einmal bei der letzten
veranstaltung....
すごいですよね！
愛
Judy Dunaway
Judy Dunaway performs avant-garde compositions and free
improvisations on amplified latex balloons played as musical
instruments. She is known internationally as a “virtuoso of the
balloon.” She plays a variety of shapes and sizes of
balloon instruments, each with it’s own special
qualities, pushing the extremes of both pitch range and
artistic limits. Her large rubbed “tenor” balloon
gives Jimmy Hendrix’s guitar a run for the money and
her giant balloon
pulsates into the depths of the subaudio.
Her abstract music and sounds are difficult to equate with other
forms, depending upon the perception of the individual like
the images seen in fire or clouds.
Judy Dunaway has presented her works for balloons at many major
venues and festivals throughout North America and Europe,
including Academy of Media Arts Cologne (Cologne), Avant-Garde
Schwaz Festival (Austria), Alternative Museum (NYC),
Bang on a Can Festival (NYC), Everson Art Museum
(Syracuse), Fylkingen (Stockholm), Frau Musica Nova
Festival (Cologne), Guelph Jazz Festival (Canada),
Lincoln Center Out-of-Doors (NYC), New Museum of
Contemporary Art (NYC), Performance Space 122 (NYC), Podewil
(Berlin), Roulette (NYC), CEAIT Festival (Los Angeles), Seltsame
Musik Festival (Krems, Austria), SoHo Arts Festival (NYC),
STEIM
(Amsterdam) and Zentrum fuer Kunst und
Medientechnologie (Karlsruhe). She has also performed on
balloons with many outstanding musicians including
Roscoe Mitchell, Jennifer Walshe, John Hollenbeck,
Yasunao Tone, and the FLUX Quartet. CDs of her works for
balloons have been released on the CRI (Composers
Recordings Inc) and Innova labels, among others.
Hankil Ryu & Matija Schellander & noid
Ryu Hankil – typewriter
Matija Schellander – double bass, victorian synthesizer
noid – cello, jing-hu
In 2013, Noid and Matija Schellander travelled from Vienna to
East Asia to meet up with Ryu Hankil and other musicians from
Japan, Hong Kong, China, South Korea and Europe. Carrying
compositions, sound art pieces and workshop preparations in
their luggage to be tested by changing social and
artistic settings, by everyday tour life and to be
used
as starting points for debates in various forms.
The first CD – “Tokyo Office” – is a trio of Noid, Schellander
and their main collaborator on this tour: Ryu Hankil
from Seoul. It was recorded in the Ftarri shop in Tokyo,
an intimate setting, a perfect concert situation for
close, concentrated listening. The result is a 44 minute
set of unmusical musicality with sounds of typewriter,
drums, double bass, cello, jing-hu and victorian
synthesizer.
The second CD – “Field Report” – is the travelogue of one
month of concerts, field recordings, workshops, dinners,
getting lost, missing planes, stretched and contracted
gut strings in the temperature and humidity extremes
from Okinawa to Beijing, collaborating with locals and
other traveling musicians, exposing sometimes strict
concepts to confusing
listening situations from Seoul
rooftops to Osaka market stands to Hong Kong industrial
buildings.
Snippets and cuts composed in chronological order to an immersive
flow of changing spaces and societies, on the turning point
between being in and out.
Hankil RYU is a musician from Seoul, born in 1975. He
has organised a monthly event called RELAY since 2005 and
established his own publishing office called The Manual. He is
interested in finding an alternative musical structure
possessed by abandoned objects like clockworks,
typewriters and telephones. After discovering the
instrumental possibilities of a typewriter, he started
to collaboration project called ‘A.Typist’ with writers
lo wie and Taeyong KIM. The collaboration’s results were released
by The Manual and Mediabus as three CD+Book sets. He is
member of
FEN(Far East Network) since 2008 and start
digital beats project called called ‘pilot Ryu’
since 2015. it is opposite approach from his past works.
http://themanual.co.kr/
noid /aka Arnold Haberl *1970, studied cello and
mathematics. He is teaching at the Multimedia-Art department of
the University for Applied Science in Salzburg.
The composer, sound-artist, cello player and improvisor
understands his work as fundamental research leading to a wide
range of contradictory outcome. Spanning from cello-solo and
tape-pieces to compositions for ensembles, improvisation
scores or performances with electronic or hybrid
instruments, from sound-installations to videos and
imaginary music. Also his contributions as a programmer
for the freeware “ppooll” (http://ppooll.klingt.org)
can be seen in this context. What makes
his cello
playing special is his approach to find a world within
instead of trying to expand the range of the instrument. Looking
at the instrument as a fact or maybe even a score in itself
without obeying the historical connotations.
http://noid.klingt.org
Matija Schellander (*1981), is an Austrian composer and
improvising musician based in Vienna, mostly using
double bass, modular synthesizer, and speakers: processing input,
moving air output. Schellanders music is conceptual, but it
never dismisses the non-rational, sensual
communicational possibility intrinsic in music. In
recent years he has focused deeply on music for double
bass solo, as well as music for feature, documentary and
silent films. His most recent releases are “Wir werden” (God
rec 2013) with Rdeča Raketa, the electroacoustic duo with
Maja
Osojnik, and “Esox Lucius” (Corvo Rec, 2015) in
a quartet with I. Duthoit (cl., v.), F. Hautzinger
(trp.) and P. Vrba (trp, electr.)
http://matija.klingt.org
<a href="http://matija.klingt.org" target="_blank">
</a>
Tatsuru Arai
Tatsuru Arai is composer/Sound Visual Artist,he studied
composition in college of music Tokyo (BA/MA),and Hochshule für
Music Hanns Eisler Berlin(MA).His works are performed in
Germany,UK,Swizterland,Denmark,Sweden,France,Algentin,Mexico,Japan
etc and Opera „Vitruvian“ was performed Berlin und
London that innovativ contemporary Opera,that to
integrate from classical Music to new Technology,His
main artistic Thema is to integrate from classical Music
to new Technology,as „TRANS-AGES MUSIC“.
http://www.tatsuruarai.com/#!trans-ages-music/tlr5t
And to present the fundamental physical nature of the universe in
the form of perceptional experiences. That could say
aesthetics of “geometric structure”. The human
perception of sound, one physical phenomenon, influences
human being and the “geometric structure” is a
fundamental pillar that allows us to understand the true
nature of the universe. Creating a way to experience even a part
of the nature of the universe through sound.
This performance will be new work for Sound-Visual live set from
his new Algorithm system„Hyper Serial Music“,
http://www.tatsuruarai.com/#%21hyper-serial-music/xndjm
In the history of music technology,„Hyper Serial Music“ will add
innovation from classical Serial music to new music
technology,to the principle of Serialism three-point:
“structural”, “complex” and “noisy”.
Hyper-Serial-Music is the algorithm music generated by
state-of-the-art
technology such as Artificial Intelligence
than by native human intelligence only.
Interpenetration website
(http://interpenetration.net)
chmafu nocords auf youtube
(http://www.youtube.com/user/marufura)
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