**H-I-T** [Interpenetration] Rasmussen & Corsano / Father Murphy / Patchwork Voices diese woche bei Interpenetration

[chmafu nocords]

 chmafu nocords (http://nocords.net) newsletters
 Interpenetration  
 Konzertreihe (http://interpenetration.net)02.04.2014 (mi)
 
 Mette Rasmussen & Chris Corsano
 Father Murphy 
 
 Club Wakuum
 Griesgasse 25
 8020 Graz
 Einlass: 20:00
 Konzert: 21:00
 
 -
 
  06.04.2014 (so)
 
 Patchwork Voices 
 
 Forum Stadtpark
 Stadtpark 1
 8010 Graz
 Einlass: 20:00
 Konzert: 21:00

 Aktuelle Informationen und Videos: http://interpenetration.net
 
  

 I'm excited, guys! Denn diese woche wird fantastisch. Eigentlich wird
der ganze April ziemlich effing awesome. Also... was die konzerte bei
Interpenetration angeht. Und bei Agent Cooper's murgastischem
Staubsauger. Sonst brettert die menschheit ja nach wie vor mit
verbundenen augen und überhöhter geschwindigkeit aufs abstellgleis
der evolution. Dass es aber auch anders geht werden diesen monat
kapazunder wie die halbgöttin Carla Bozulich, die politisch korrekten
jugos von It's Everyone Else oder eben diese woche das S/M-duo
Rasmussen &
Corsano, die unfassbaren Father Murphy und die
klanghauerinnen von Patchwork Voices beweisen. I am soooo
excited,....guys!!!
 楽しいですよねえ
 愛
 
  
 Mette Rasmussen & Chris Corsano
 
 The American/Danish drum-sax duo had their first concert at Jack in
NY, october 2013. Now they are on a week spring tour in Europe. The
music is improvised, going from high energi to lowercase sonic
soundscapes. Upcoming album will be out on the Record Label, Relative
Pitch Records.
 
 Bios:
 Mette Rasmussen is a Danish saxophone player living in Trondheim,
Norway. As an improviser, she explores the natural rawness of the horn
and dives into experimenting with the instrument’s sonic and
expressive capabilities, with and without preperations. She has
collaborated with musicians such as Rudi Mahall, Alan Silva, Tobias
Delius, Wilbert de Jode and Axel Dörner.
 
 “Rasmussen’s Candid confirmed first impressions that her alto
playing placed her in the premier league of young
improvisers.” –
bebopspokenhere, UK.
 
 “Rasmussen’s tone cuts through in the most complicated, full-on,
all-in passages, and she exhibits remarkable control of overblowing
and harmonics.” – BBC Music Magazine
 
 Chris Corsano is a drummer who has been operating at the
intersections of free improvisation, avant-rock, and noise music since
the late ’90s. He’s worked with saxophonists Joe McPhee, Paul
Flaherty and Evan Parker; guitarists such as Jim O’Rourke, Sir
Richard Bishop and Nels Cline; and also one-of-a-kind artists Björk
and Jandek. His style incorporates high-energy free improvisation,
more textural work, and augmenting the drum kit with everything from
cello strings stretched across the skins to disassembled saxophone
parts.
 
 “Corsano, despite being arguably the most riotosly energetic and
creative drummer in contemporary free jazz, does far more than merely
bash his kit into submission. Playing loud does not mean abandoning
subtlety, and Corsano’s
sudden shifts of texture and dynamics are a
wonder to behold.” – The Wire
 
 Father Murphy
 
 Father Murphy is the sound of the Catholic sense of Guilt.
 
 A downward spiral aiming at the bottom of the hollow, and then
digging even deeper.
 
 After having furiously performed all over Europe, toured North
America with Deerhoof, Dirty Beaches and Xiu Xiu, been praised by the
Archdruid Julian Cope, among lots of others, the new installment of
their unique sonic saga will be a concept EP on Failure, to be release
next January by Aagoo Records (US) and Boring Machines (ITA).
 
 Like the previous record (“Anyway, your children will deny it”
among the best 50 albums of 2012 for Rock-a-Rolla Magazine) the new
piece was mixed and produced by Deerhoof’s Greg Saunier.
 
 Father Murphy, with three albums and a plethora of EPs and limited
releases, over the years became one of the most mysterious and
enigmatic musical entities coming out of Italy, part of that community
that Simon
Reynolds started to call the new “Italian Occult
Psychedelia”.
 
 http://fathermurphy.bandcamp.com/
 http://fathermurphy.blogspot.com/
 
 PRESS:
 
 When I played a non-band set in Oakland, California, opening for the
Italian band Father Murphy, they completely floored me. I had never
heard of them until then, but their album And He Told Us Not To Turn
to the Sun packs some of the most original, beautiful music I’d
heard in a long time – think eerily spacious songs with strange yet
perfect arrangements. And such nice people! I’m a huge fan – John
Dieterich (Deerhoof) as interviewed by The Independent
 
 A mix of Monty Python and a lurid low-budget Italian horror film
comes to mind as you listen to the clanging riffs and distressed wails
of Turin outfit Father Murphy… The floridly prog-gothic atmosphere
– sinister church organ, shuddering guitars, black mass chants –
grows oddly beguiling as the album continues. Suspension of disbelief
is required, but the effort
doesn’t go unrewarded – Ludovic
Hunter-Tilney, Financial Times
 
 Italy’s fabulously lawless organ-guitar-drums trio Father Murphy,
who have – with their colossal new album Anyway Your Children Will
Deny It – delivered a disc of exhilarating vocal harmonies, low
church organ themes, and flipped out heathen tantrums all exquisitely
staged and performed with that same theatrical drama as early This
Heat or JA Caesar… Released on Aagoo Records, this is a haunting and
superb work that you really must check out- Julian Cope, Head Heritage
 
 The dead-eyed chants, keyboard drones and bone-dry rhytms of Italian
Father Murphy’s second album conjure up a funereal atmosphere
somewhere between homemade Morricone and toytown Goblin… That
ol’devil Dario would surely approve – Joseph Stannard, The Wire
 
 Recently watching the 1974 “classic” Nude for Satan confirmed
that A: Italian art can often be simultaneously Catholic and
subversive and B: they make music that’s
fantastically fucked up…
There are elements of Michael Gira’s shabby grandeur crossed with
the improvised drum racket of My Cat is an Alien. Their guitars seem
infected with distortion and the percussion blends rowing rhythms with
sea spray cymbals. The whole procession keeps shifting focus so that
you can’t be sure if they are winking or wincing – Eric Hill,
EXCLAIM!
 
 ‘Anyway Your Children Will Deny It’ is a fascinating, brave and
challenging album – Kev W., Sounds XP, The sound of confusion
 
 Father Murphy delve further into the prog horror sound of 2008 …And
He told us to turn to the Sun, with a poundling Gialloesque score that
suggests a band who’ve studied Messiaen’s Messe de la Pentecote
alongside Os Mutantes and spotted a deep and true connection – MOJO
 
 Early Velvet Underground or something like that may be somewhere to
draw a comparison to, but this is much more twisted up – Boston
Hassle
 
 This surprisingly normal looking three-piece does a
pretty good job
of not sounding quite like anyone else. Even better, it’s
occasionally hard to tell what instruments or electronics are being
used to produce the sounds on Anyway your children will deny it…
(although online evidence suggests a fairly simple
guitar/keyboards/drums line-up). Even, even better, this album is
among the select breed of long-players that are actually short enough
to play at 45RPM – Bubblegum cage III
 
 The Italian rock renaissance of the 21st century — at least in some
corners — continues with the work of Father Murphy, as aggressively
outré as early Jennifer Gentle, say, but with their own distinct
style, twisted stop-start chants and clatter instead of bizarrely
winsome sparkles… Father Murphy are well on their way to
establishing their own solid reputation for an intriguing listen. –
Ned Raggett, All Music Guide
 
 I’ll put an extra shilling in the collection plate if Reverend
freddie Murphy has been ordained. There’s chanting and
banging and
bells-a-plenty, a peculiar hymnal to the art of noise. Throughouth,
the percussions, strangulated sounds, epic songstitles and conceptual
doom as if the world’s faiths are administering the last rites over
the rattlin’ bones of Liars. If the papists hear this, there’ll be
excommunication for Reverend Fred. Amen to that – Luke Turner, NME
 
 Where to start? Highly recommended, we don’t know how to tell you
about it… wonderful… – The Organ Magazine
 
 If it were a canned pasta meal it would be a tasty bowl of Berthold
Brechts’ Spaghetti Western-Styled Dirge-ee-Oh’s - Craig Gilbert,
Verbicide Magazine
 
 Compliments to Michael Gira for pointing Dream Magazine in the
direction of this intriguing Italian psychedelic outfit… This is
definitely a band to keep an eye and ear open for. -George Parsons,
Dream Magazine
 
 It is no surprise that Julian Cope is a big fan of this eccentric
Italian trio, their second albun sounds genuinly gothic but somehow
manages
to invoke other disparate influences – John Lewis, Uncut
 
 Close spiritual cousins of Kayo Dot, they make three instruments
sound like a much larger ensemble and make meticulously structured
composition seem like spontaneous abstract improvisation. Impressive
but mightmarish, like a beautifully rendered self-portrait splattered
with blood and self-loathing. – Matt Evans, ROCK’AROLLA
 
 After their really rather glorious debut it is reassuring to see that
this strange Italian troupe have lost none of their experimental
verve…If you’ve got an open mind then you might just discover a
new favourite band – Alex Deller, ROCKSOUND
 
 
 Patchwork Voices 

Patchwork Voices ist das neue Projekt der beiden in Österreich
lebenden „Multivokalistinnen“ Claudia Cervenca (Wien) und Annette
Giesriegl (Graz), deren Interesse der Erweiterung ihrer stimmlichen
Ausdrucksmittel und dessen Einfluss auf körperliche Impulse gilt.
 Assoziativ und mit erstaunlichem „Blending“ bedienen
sie sich
ihrer magischen Stimmsounds und anderer Noises.
 Einerseits schaffen sie mit der Intensität ihrer minimalistischen
Stimm- und Geräuschführung eindringliche Stille, und andererseits
fröhnen sie der expressiven Vokalkunst, die ihre Jazzsprache und ihre
Affinität zu ethnischen Gesangstechniken widerspiegelt. Im Moment
entstehende Motive, strukturierte Stücke und Texte werden zu
Klangeschichten und -skulpturen verwoben.

Patchwork Voices ist the new project of the two „multi-vocalists“
Claudia Cervenca and Annette Giesriegl – both living in Austria –
whose emphasis is on expanding their vocal means of expression with
the influences on their impulses on the body.
 Magic sounds and other noises are made with astonishing blending of
their voices creating stories and sound sculptures in the moment.
 On the one hand Cervenca and Giesriegl create penetrating silence
with their minimalistic leading of their voices on the other hand they
are using expressive vocal art
which reflects their jazz language and
their affinity to ethnic vocal techniques.

Annette Giesriegl (http://www.annettegiesriegl.at/?page_id=76)
 Claudia Cervenca
(http://www.claudiacervenca.com/the-patchwork-voices.html)

  
  


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