**H-I-T** [Interpenetration] Unnatural Ways (us) & Kuratierter Improvisationsabend am 13.02. im Wakuum

chmafu nocords chmafu at nocords.net
Mo Feb 11 15:25:59 CET 2013


 chmafu nocords (http://nocords.net) newsletters
 Interpenetration  
 Konzertreihe (http://interpenetration.net)13.02.2013
 
 Unnatural Ways (us)
 Kuratierter Improvisationsabend mit Christine Schörkhuber 
 
 Wakuum
 Hans-Sachs-Gasse 12
 8010 Graz
 21:00

 Aktuelle Informationen und Videos: http://interpenetration.net
 
  

 Der zweite und letzte Mittwoch im monat gehören dem kuratierten
Improvisationsabend. Ein naturgesetz. Und es ist ja bekannt, dass es
nicht möglich ist gegen naturgesetze zu verstossen. Ist allerdings
Ava Mendoza auf tour und ihre wege kreuzen Graz, dann müssen selbst
die naturgesetze einsehen, dass sie sich anzupassen haben. Konkret
heisst das, dass am Mittwoch zuerst Christine Schörkhuber mit dem von
ihr kuratierten trio improvisieren wird (Vielen dank an Reni
Hofmüller!), dann Ava Mendoza mit Unnatural Ways ordentlich abkrachen
wird und dann.... wenn...... und falls.... wir noch den offenen teil
des improabends ins ohr fassen könnten. Eventuell auch
mit Ava. Wir
werden ja sehen, was die naturgesetze davon halten.
 Auf jeden fall ein pflichttermin. Und nicht nur wegen des
epochemachenden verstosses gegen ein naturgesetz. Wobei..... der
improabend findet eh statt. Das ganze trara umsonst. Kein naturgesetz
gebrochen. Hm......
 またね
 愛
 
  
 UNNATURAL WAYS is the power trio of Ava Mendoza (guitar), Dominique
Leone (synths), and Nick Tamburro (drums, percussion). The group
marries the intense energy of free jazz to instantly memorable tunes
anchored by Mendoza's heavy guitar riffage. Unpretentious and
visceral, their music winds its way through free jazz, metal, and
warped heavy blues. All three players push the boundaries of their own
vocabularies and the written music, putting on a scorching live show.
Members of the band have recorded/performed with Tune-yards, Nels
Cline (Wilco), Fred Frith, Matmos, Carla Bozulich (The Geraldine
Fibbers, Evangelista), Mike Watt (Minutemen), Henry Kaiser, The Dead
Science, Vinny Golia,
members of Caroliner, members of ROVA Saxophone
Quartet, William Winant (Mr. Bungle), Tony Buck (The Necks), Weasel
Walter, Daniel Johnston, Casiotone for the Painfully Alone, Shudder to
Think, and more. The Mendoza/Tamburro duo released an album on the
Weird Forest label
(http://www.weirdforest.com/store/bandPages/mendoza.html#quit%22%20target=%22_blank%22)
in early 2012.
 
 http://www.avamendozamusic.com/
 
 AVA MENDOZA is a guitar player/composer who has been active since
2002 playing her own music and in many different groups. In any
context, she brings expressivity, energy and a wide sonic range to the
music. Friendly critics have called her "Oakland's avant-jazz
virtuoso" (Brad Cohan, Village Voice), "a versatile and virtuosic
guitarist" (SF Film Society), "a wizard on a semi circle of effects
pedals, but... equally adept with FX-less technique," (Lars Gotrich,
NPR Jazz). She was recently named one of Guitar World's "10 Female
Guitarists You Should Know." Mendoza has performed
with Tune-yards,
Nels Cline (Wilco), Carla Bozulich (The Geraldine Fibbers,
Evangelista), Fred Frith, Butch Morris, Vinny Golia, Henry Kaiser,
Mike Watt (Minutemen), members of Caroliner, members of ROVA saxophone
quartet, Kenny Wolleon, Gino Robair, and contemporary classical
ensemble SF Sound. Her music has been released by labels Weird Forest,
Tzadik, NotTwo, ugEXPLODE, Tompkins Square, Bridge Records, Edgetone,
and more.
 
 DOMINIQUE LEONE is a composer, keyboardist, DJ and music journalist
based in San Francisco. His records have appeared on Smalltown
Supersound, Important, Feedelity and Upcode, and he regularly performs
in the Bay Area, as well as having toured the US and Europe. Dominique
has worked with a wide range of artists including Matmos, R.Stevie
Moore, Hans-Peter Lindstrom, Fred Frith, William Winant, Kevin
Blechdom and Max Tundra. His 2010 remix of Steve Reich's 2x5 was
selected by the composer himself as top remix among hundreds of
entries, and was released by
Nonesuch Records shortly afterwards. He
also appeared on the Boredoms' Super Roots 10 EP, performing on
Lindstrom's remix for the Japanese band. His most recent music project
was a new production of Igor Stravinsky's Les Noces opera, producing a
recording with two pianists, and recording the entire vocal score for
full choir and soloists himself. He recently worked with experimental
guitarist Frith on a new performance of his 1980 Gravity LP. As a
writer, Dominique has been featured in Pitchfork, AllMusic, PASTE and
many other publications, and presented a paper at the 2007 EMP Pop
Music Conference in Seattle, WA.
 
 NICK TAMBURRO is a drummer who has contributed his “endlessly
inventive polyrhythmic suppleness” (ThrillJockey.com) to the worlds
of improvised music, jazz, death metal, indie pop, experimental rock,
and orchestral & new music. He feels most at home when these
separate spheres collide. Nick has played and toured extensively in
the US, Europe, the UK, Scandinavia
and Australia with The Dead
Science (Constellation Records, named Best Jazz/Experimental Band -
Seattle Weekly), Carla Bozulich’s Evangelista, Daniel Johnston,
Dominique Leone band, Craig Wedren / Shudder To Think, Parenthetical
Girls, Jherek Bischoff, Anni Rossi, Soko and many more. He has
released albums on Constellation, Weird Forest, Tomlab, Absolutely
Kosher, Deathbomb Arc and Marriage Records. Outside of band settings,
he has performed with Seattle performance art group Implied Violence,
played percussion as part of Degenerate Art Ensemble’s Orchestra,
played live films scores(The Bat for SF Film Society, Baraka for
Cornell University, and shorter works for animator Stefan Gruber and
for Chamber Music Day in San Francisco), composed an audiobook
percussion soundtrack for the novel The Wikkeling, and performed in
visual artist Chris Duncan’s multimedia museum project THE SUN.
 
 "This is a visceral and insightful exploration into the [jazz] form,
and has as much grit,
blood and bile as a Lightning Bolt album. While
the tracks might start off with some kind of form, Mendoza has a
unique talent of being able to deconstruct this as she plays,
devolving the sounds into noise and grinding emotion." --Boomkat
 
  
  


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