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<span style="font-family: Arial;"><br>
<br>
</span><br>
<span style="font-family: Arial;"><span style="font-family: Arial;"><span
style="font-family: Arial;">20.12.2016<br>
<b>Daichi Yoshikawa & Samo Kutin @ Winterschluss WeiFei</b><br>
Kultur in Graz, Interpenetration, mur.at und andere...<b><br>
</b></span></span></span><span style="font-family: Arial;"><span
style="font-family: Arial;"><span style="font-family: Arial;"><span
style="font-family: Arial;"><b> <br>
_________<br>
<br>
</b></span></span></span></span><span style="font-family:
Arial;"><b><br>
Di, 20.12.Y016 - Daichi Yoshikawa & Samo Kutin @
Winterschluss WeiFei</b><br>
<br>
<img alt="" src="cid:part2.7C1589F1.BEE646CE@kig.mur.at"><br>
<br>
</span>
<p><b>Samo Kutin</b>, born in 1982, is known for his use of
unconventional instruments, be it instruments that have already
disappeared from everyday use or sound-making contraptions that
feature strings, wood, pumpkins, stone, glass and waste material.
One of the traditional instruments in his repertoire is the
Hungarian medieval stringed instrument hurdy gurdy, which he can
be seen playing on the streets of Ljubljana or at events of
experimental and improvised music. He organises children’s
workshops, makes music for storytelling and theatre performances
and is a member of a number of formations, including Samo
Gromofon, Salamandra salamandra, Najoua, Horda grdih, Širom.<br>
When it comes to non-idiomatic improvisation, Samo has been
exploring at length in recent years the sound and noise potential
of the hurdy gurdy. He has been using effective accessories with
the instrument and amplifying it in a convincing manner with
intentional roughness with the help of contact microphones and
acoustic resonators such as springs and water tanks. One could say
that it is above all the use of contact microphones that helps him
scan and bring to the surface the processes taking place in the
“guts” of the instrument, while the direct physical methods allow
him to cause and locate previously unknown frictions.</p>
<p>Based in Berlin and London,<br>
cyclist and artist <b>Daichi Yoshikawa</b> is interested in the
spaces we can construct together through the intensities of live
performance.<br>
His practice is feedback.His work is the push and pull of
extremes: pitch, volume and gesture.</p>
<p><b>Wann?</b></p>
<p>Dienstag, 20.Dezember 2016<br>
Einlass: 19:00 Uhr<br>
Konzert: 20:00<br>
<br>
<b>Wo? </b></p>
Baustelle Kultur in Graz<br>
Lagergasse 98A // Küche im 2. Stock<br>
<br>
<p><i>Photo by Kud Mreza</i></p>
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style="font-family: Arial;"><br>
</span></span> <br>
</span><span style="font-family: Arial;"><span style="font-family:
Arial;"><span style="font-family: Arial;"></span></span></span><br>
<p> </p>
<pre class="moz-signature" cols="72">--
フフンジル・マルフラ
marufura fufunjiru
KiG - Kultur in Graz
Verwaltung
Lagergasse 98
<a class="moz-txt-link-freetext" href="http://kig.mur.at/">http://kig.mur.at/</a></pre>
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