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<td><br /> <span style="font-size: small;"><a href="http://nocords.net">chmafu nocords</a> newsletters</span><span style="font-size: small;"><br /> <span style="font-size: medium;"><big style="font-weight: bold;"><big>Interpenetration </big></big></span><br /> Konzertreihe</span></td>
<td style="width: 160px; text-align: right;"><a href="http://interpenetration.net"><img style="border: 0px solid; width: 374px; height: 37px;" src="http://chmafu.mur.at/newsletter/interpenetration-newsheader.png" alt="Interpenetration" /></a></td>
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<td style="text-align: center; vertical-align: top; white-space: nowrap;"><span style="font-weight: bold;"><br /> 18. und 19.05.2017</span><br /> <br /> <big style="font-weight: bold;">NOD NOW<br /> </big> Interpenetration Festival<br /> mit<br /> <big style="font-weight: bold;">The Elks<br /> DEKJ<br /> Rinus van Alebeek<br /> Nomi Jima<br /> Alexandre Bellenger<br /> extremnich<br /> Jensac Opcion Wurzwallner<br /> Richie Herbst</big><br /> <br /> in Zusammenarbeit mit Forum Stadtpark<br /> <br /> Forum Stadtpark<br /> Stadtpark 1<br /> 8010 Graz<br /> Einlass: 20:00<br /> Konzert: 21:00<br /> <br /> <em>Tagesticket: 10 euro<br /> Festivalpass: 18 euro<br /> Festivalpass für zahlungsschwache: 13 euro<br /> Eintritt für Interpenetration abonnentinnen: freiwillige spende<br /> <br /> </em></td>
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<small><span style="font-size: small;"><br /> Aktuelle Informationen und Videos: <a href="http://interpenetration.net">http://interpenetration.net</a></span><br /> <br /> </small>
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<td style="text-align: center; vertical-align: middle;" colspan="2"><br /> “Nod now!” ist das thema des aktuellen Interpenetration Festivals und bezieht sich auf die neue form der knoten und des verknotens, auf erzwungene verschiebungen, auf eine bejahende und lustvolle grundhaltung und auf die ablehnung jeglicher metal-musik. Dass es aufgrund der Interpenetration zugrundeliegenden verachtung jeglicher machismen ordentlich krachen wird, liegt bei diesem finalen knoten in der verantwortung einer handverlesenen auswahl an spitzenmetronomen und anderen haubentauchern.<br /> <span class="st">又ね<br /> </span><span class="st">愛</span><br /> <span style="font-size: small;"><br /> </span> <br />
<p><strong>The Elks</strong></p>
<p> </p>
<p>Liz Allbee (USA/Berlin) – trumpet<br /> Kai Fagaschinski (D/Berlin) – clarinet<br /> Billy Roisz (AT/Vienna) – electronics & e-bass<br /> Marta Zapparoli (IT/Berlin) – tapes & devices</p>
<p>“Den kräftigen Abschluss am ersten Tag machen The Elks, ein Quartett, dass sich der Innovation mit einer gewissen Kompromisslosigkeit verschreiben hat. Kai Fagaschinski spielt eine sehr luftige Klarinette, Liz Allbee liefert dazu zurückgenommene melancholische Trompetentöne, für den Elketroniksmog sorgen Billy Roisz und Marta Zapparoli. Sprachfetzen und Sounds wie aus dem Weltempfänger ergänzen den Gesamtklang, Wichtig erscheint das Kollektiv, das gemeinsame Erarbeiten eines höchst individuellen Gruppenklangs, niemand stellt sich eitel in den Vordergrund. The Elks sind wie ein fruchtbarer Komposthaufen, bei dem vieles vergänglich ist, um Neues entstehen zu lassen.”<br /> (freiStil zum Konfrontationen-Konzert (Nickeldorf Juli 2016))<br /> <a
href="https://soundcloud.com/kylie-fagischefsky/the-elks-in-nickelsdorf" target="_blank">https://soundcloud.com/kylie-fagischefsky/the-elks-in-nickelsdorf</a></p>
<p>Superb & excellent meeting 4tet in perspective between 4 fascinating actors and instrument topers, machines / electronics and sounds / sounds mixing in sumptuous and highly taking electro-acoustic flux perfectly crawling and captivating.<br /> Featuring / bringing together four strong and original personalities from the international experimental scene, each of whom has developed deeply unique languages / approaches on their respective instruments or set-ups, THE ELKS (the name of the 4tet) sails within superbly haunted / Inhabited extended sonorous landscapes, filling the space and the auditory ducts with a deep hypnotic presence and ideal to let our brains derive.<br /> Amazing trumpet with fantastic preparations (the fantastic lighted, unexpected sometimes and inhabitant Ricaine Liz Allbee), magnificent clarinet with
precision and golden lines / tensions (the sur-precise Berliner Kai Fagaschinski), manipulations of electronic and bewitching abstract soundscapes (the Viennese alchemist Billy Roisz) and cassette recorders and other made-to-the-house puzzles / players of the Italian hijacker Marta Zappoli … all combine to a strange and exciting electro-acoustic sound universe, between crawling drones, clicking / electronic surfaces, spikes / aerated and / or underground pulsations, etc.<br /> A wide / infinite sonorous universe, mixing and completing perfectly to form only a compact and formidably coherent mass-form-flow enveloping us in the most beautiful way.<br /> An excellent laboratory of experimental international in action tonight, with YES, 3 girls / grrrls / ladies most active / activists and original of the current scene together,
yes_yes_yes!<br /> (CAVE12 Geneva Autumn 2016 (translated from French))</p>
<p> </p>
<p><strong>DEKJ</strong></p>
<p>DEKJ functions as an ongoing project studying sound as the primary axis of actual dynamics, behaviour and instances. Considering the sonic and vibrational milieu as a representative for balance, transgression, violation, that also affects physical composition and the notion of structured spaces.</p>
<p>Relations in interobjectivity through dismantling factors attributed to automata elements in order to determine actual dynamics and effects infecting the experiential, derivations of non-eugenic/anthropocentric tendencies in posterity.</p>
<p>DEKJ is part of the oqko collective based in Berlin.</p>
<p><a href="https://www.dekj.org/" target="_blank">https://www.dekj.org/</a></p>
<p><a href="https://www.dekj.org/" target="_blank"><br /> </a></p>
<p><strong>Rinus van Alebeek</strong></p>
“Ich mache es etwas anders. Vorher gab es einen abstrakten Narrativ von verschiedenen auf Tape aufgenommenen Geräuschen, worin und woraus jede/r für sich ihre/seine eigene Geschichte entdecken konnte. Das war alles sehr gemütlich. Jetzt aber sind die Zeiten weniger gemütlich; ich glaube man soll sich mal wieder etwas anstrengen. Deswegen habe ich ein paar Elementen zu meiner Performance hinzugefügt: Ich werde zusätzlich verschiedene Texte lesen, und auch sichtbare Handlungen an unhörbare kuppeln. Und sobald die Zeit kommt, dass ich das alles nur Theater finde, mache ich wieder etwas anderes.
<p><a href="http://rinusvanalebeek.com" target="_blank">http://rinusvanalebeek.com</a></p>
<br /> <br />
<p><strong>Alexandre Bellenger</strong></p>
<p> </p>
<p>Alexandre Bellenger is a multi-activity prolific french character. He was born in Créteil, France, the 24th of july 1975. He started by doing the clown when he was 5. Later he formed several obscure rock bands as a singer guitarist before getting interest in noise music and improvisation. He quickly started to develop an original way of using turntables as a musical instrument.</p>
<p>Since 2000 he has had the chance to meet various reknown and experimented musicians. He is playing in trio with Arnaud Rivière and Roger Turner. He formed the trio CAB with Oliver Augst and Rüdiger Carl. He has played in quartet with Dan Warburton, Aki Onda and Jac Berrocal. In 2005 he formed a unique turntables trio with Otomo Yoshihide and Martin Tétreault. In 2002 & 2003 he created a 9 concert serie at Instants Chavirés in Montreuil with Jean-François Pauvros and Miho.</p>
<p>He is a close collaborator of the german composer and singer Oliver Augst. Their band CHANTE France ! make its debut in Paris with drummer Sven-Åke Johansson at the Sonic Protest Festival. They will also perform together the music of the socio-political documentary EUROPA and they are working on a musictheater piece about KURT WEILL years in Paris.</p>
<p>He has also played on stage or recorded with Noël Akchoté, Thomas Ankersmit, Pascal Battus, Frédéric Blondy, Andy Bolus, Chris Corsano, Alan Courtis, Thomas Desy, Alex Grillo, Jean-Philippe Gross, Will Guthrie, Hendrik Hegray, Marek Jason Isleib, Utah Kawasaki, Mazen Kerbaj, Sachiko M, Mattin, Erik Minkkinen, Manuel Mota, Aaron Moore, Joachim Montessuis, Nina “Mariachi” Garcia, Fred Nipi, Aki Onda, Didier Petit, Stéphane Rives, Romaric Sobac, Sharif Sehnaoui, Christine Sehnaoui-Abdelnour, Ignaz Schick, Goth Trad (Kouhei Matsunaga), Dan Warburton or Jedrek Zagorski. He has played in many festivals and venues in France, Europe such as Météo in Mulhouse, Iritijal in Lebanon, Cave 12 in Geneva, Mousonturm in Frankfurt, Densités in Fresnes-en-Woëvre, Total
Meeting in Tours, Mono in Glasgow, Hoellenfahrt in Vienna, Donaufestival in Austria, En chair et en son, La Cigale in Paris and many others.</p>
<p>Alexandre Bellenger has also made a large quantity of graphic works using a personnal mixed media technique including the intense use of paper collage, oilsticks, acrylic paint, pencils or markers pens. He has created the free art magazine MY PRECIOUS TRASH in 1999. He collaborated with LEVI’S VINTAGE CLOTHING. His works have been shown in magazines such as Dazed&Confused, PiL, Bad to the Bone, InFringe, DDmagItaly or 0fr. He has made a serie of 220 short stop motion videos that were published on his Instagram account under #alexandrebellengermovies. In 2002 he made a 30 minutes long tourné-monté movie called ROLEX À LA PLAGE and published on DVD on the label wmo/r.</p>
<p><a href="http://abworks.org/" target="_blank">http://abworks.org/</a></p>
<p><a href="http://abworks.org/" target="_blank"><br /> </a></p>
<p><strong>extremnich</strong></p>
<p> </p>
<p>experimentell, frei improvisiert, Konzept Art, Neue Musik, rockartig, Klang, Zufall, Xenakis artig, Ligeti artig, Free Jazz, ungerade Takte, Zappa Art, Fred Frith, King Crimson, Kunst Musik, Ordnung Unordnung, Komplexität, auch mit Metronom, alles ist improvisiert, wenn was falsch klingt bei uns, sind wir auf dem richtigen Weg</p>
<p>Tobias Hamann hier bei extremnich Schlagzeuger mit Präparationen<br /> Bremen/Deutschland, 34 Jahre, studierte an der Musikhochschule Bremen Schlagwerk, Klassik, Neue Musik, Aufführungen von Neue Musik in Deutschland, Europa, Welt, durch das Ensemble Babylon (siehe Homepage), Kloppstock-Percussions Quartett (siehe Homepage); Werke von Xenakis …., auch tätig in diversen Barock Orchester als Pauker, in Latin Band als Percussonist, freie Musik mit extremnich, frei beruflich tätig, Unterricht an Musikschulen in Bremen und Umland, Gastaufträge an Musikhochschulen z.B. in Freiburg als Dozent</p>
<p>Heiko Müller, hier bei extremnich E Gitarre, 2 Key, TomBassdrum, Gesang, Trommeln<br /> Bremen/Deutschland, komme vom Schlagzeug, Rock und modern Jazz, früher Unterricht erteilt, Komponist für Neue Musik, alle Instrumente, Aufführungen meiner Werke auch im Radio, experimentelle Bands, nach Neue Musik hin, Kammermusik, experimentelle Rock Musik und modern Jazz moderner, um so verrückter um so besser</p>
<p> </p>
<p><strong>Jensac Opcion Wurzwallner</strong></p>
<p>Noise : Karl Jensac \ Patrick : Drums : Wurzwallner / Nikos Zachariadis (Opcion) : Noise</p>
<p>zwei münder, eine wand, zwei stangen, ein knüppel, zwei fahnen, ein panzer, vier fäuste, aus seide – space is the place, my boot to your face.</p>
<p>“a triophonic experience synergizing the crap out of two computer-thingies and a lame old drumset – quite fabulous! Loved it, but hated it!! (someone from the internet)</p>
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<td style="text-align: center; vertical-align: middle;" colspan="2"><br /> <span style="font-size: small;"><a href="http://interpenetration.net">Interpenetration website</a><br /> <br /> <a href="http://www.youtube.com/user/marufura">chmafu nocords auf youtube</a> </span><br /> <br /> <a href="mailto:office@dieeintrittskarte.at"><br /> </a>
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