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<td><br /> <span style="font-size: small;"><a href="http://nocords.net">chmafu nocords</a> newsletters</span><span style="font-size: small;"><br /> <span style="font-size: medium;"><big style="font-weight: bold;"><big>Interpenetration </big></big></span><br /> Konzertreihe</span></td>
<td style="width: 160px; text-align: right;"><a href="http://interpenetration.net"><img style="border: 0px solid; width: 374px; height: 37px;" src="http://chmafu.mur.at/newsletter/interpenetration-newsheader.png" alt="Interpenetration" /></a></td>
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<td style="text-align: center; vertical-align: top; white-space: nowrap;"><span style="font-weight: bold;">03.-05..11.2016<br /> </span><br /> in Zusammenarbeit mit KiG Kultur in Graz<br /> <br /> <big style="font-weight: bold;">Interpenetration meets queerograd<br /> <br /> Couscous<br /> Patrizia Ferrara<br /> Jooklo Duo & Mette Rasmussen</big> <br /> <br /> Lagergasse 98A<br /> 8020 Graz<br /></td>
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<small><span style="font-size: small;"><br /> Aktuelle Informationen und Videos: <a href="http://interpenetration.net">http://interpenetration.net</a></span><br /> <br /> </small>
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<td style="text-align: center; vertical-align: middle;" colspan="2"><br /> Wenn sich zwei streiten, freut sich niemand. Aufgrund dieses naturgesetzes haben Kultur in Graz und chmafu nocords beschlossen, zusammenzuarbeiten. Das heurige ergebnis dieser kollaboration präsentieren wir diesen Donnerstag bis Samstag. Und neben den konzert-highlights bleibt mir nur noch, ein weiteres zu erwähnen. Nur die zeit dafür hab ich natürlich...<br /> <a href="http://kig.mur.at/queerograd_2016/">http://kig.mur.at/queerograd_2016/</a><br /> <span class="st">又ね<br /> </span><span class="st">愛</span><br /> <span style="font-size: small;"><br /> </span> <br /> <br />
<p><strong>Couscous & Boris Hauf „Eisen“</strong></p>
<p>The audiovisual group Couscous has found a soul mate in noise, chaos and harmony in the internationally active improv musician Boris Hauf. “Eisen” is the continuation of their collaboration, starting with the 2013 release “Trans”. The bluntness and creativity of how Couscous intermingle musical aspects of different cultures is enriched by the alliance with this powerful horn player. Hauf’s baritone saxophone sound combined with his detailed and blissfully fractured approach to melody mixes surprisingly well with the off-balanced and angular sound Couscous has built.</p>
<p>Joyfully and almost indiscernibly Couscous and Hauf experiment with genres, exotic and self-made musical instruments. A turkish Saz uninhibitedly takes center stage, while industrial sound textures get counterbalanced with a fierce percussion and a slightly passive-aggressive guitar. A sea of trombones, saxophones and clarinets, piano clusters and a stubborn bass form a billowing and saturated foundation for this musical bazar. The quintet actively blurs boundaries, alternates arrangements with collective improvisation, and lightheartedly throws musical curveballs to unhinge the narrowly defined euro-centric approach to contemporary music.</p>
<p>Past cooperations with Damo Suzuki, Thollem McDonas, Ulrike Hager with Warszawski Teatr Tańca, Martin Zeplichal, Sebastian Six, Marina Marsilio etc.</p>
<p><strong>Martin Max Offenhuber</strong> (Kreisky): baglama-saz, bass synthesizer, ektar, ghosttubes.<br /> <strong>Thomas Binder-Reisinger</strong> (David Lipp & die Liebe): guitar, guzli.<br /> <strong>Ralph Wakolbinger</strong> (Die Buben im Pelz, Aber das Leben lebt, The Maybe Men): drums / percussion.<br /> <strong>Andreas Ledl</strong> (Hard-Chor): bassguitar, clarinet.<br /> <strong>Boris Hauf</strong> (Efzeg, Peeled Eye, Next Delusion, Boris Hauf Sextett u.v.m.) baritone sax, piano.</p>
<p>Martin Max Offenhuber „Couscous“, pumpkin records, 2006<br /> Couscous, „Trans“, pumpkin records, 2013<br /> <strong>Couscous & Boris Hauf “Eisen” noise appeal records ab 24.10.2016</strong></p>
<p><a href="http://couscous.klingt.org" target="_blank">couscous.klingt.org</a><br /> <a href="http://hauf.klingt.org" target="_blank">hauf.klingt.org</a></p>
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<p><strong>Patrizia Ferrara</strong></p>
<p>Ihr Name ist Programm. Sie hat ein italienisches Temperament und eine österreichische Seele – ist doch ihr Vater aus Sizilien und Ihre Mutter aus Kärnten. Ihre Karriere als Sängerin führte Sie auch für mehrere Jahre in die USA, nach Los Angeles und New York und so singt und spricht sie in 3 Sprachen perfekt: Deutsch, Italienisch und Englisch.</p>
<p>Sie war vielfach mit vielen Künstlern musikalisch tätig (u.a. mit John Heard, Dean Bowman, Vinx, John Cale (The Velvet Underground), Danny Grissett, Lonnie Plaxico, Kyle Eastwood, Geri Schuller, Célia Mara, DJ DSL, Urbs (G-Stone Records the label of Kruder and Dorfmeister), John Sass, Stereotyp (G-Stone Records), Al Haka, Annekei, Marcos Vigio, and Jorge Amorim., Sertab Erener (Gewinnerin Eurovision song contest 2003), Jon Sass (Ray Anderson, Boston Symphony Brass, David Murry), Chester C. Washington (Earth, Wind and Fire), Rudi Wilfer, Fred Eisler, DJ Cut-EX, DSL, Urbs (G-Stone Records the label of Kruder and Dorfmeister), Al Haka, und dem grossen und leider schon verstorbenen österreichische Performance- und Multimedîapoet Christian Ide Hintze) und ist nun seit einigen Jahren als
Frontfrau künstlerisch tätig.</p>
<p>Ihre 2. CD Produktion ist eben fertiggestellt und die ersten Konzerte geplant. Während Ihre erste Produktion in den USA entstanden ist, spielte Sie diese neue Aufnahmen komplett in Österreich mit Ihrer Band ein.</p>
<p><a href="http://www.patriziaferrara.com/" target="_blank">http://www.patriziaferrara.com/</a></p>
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<p><strong>Jooklo Duo & Mette Rasmussen</strong></p>
<p>“Blowing minds all over the world since 2004 with hundreds of charming performances and some cult records, Jooklo Duo (Virginia Genta on reeds, flutes, piano, percussion and David Vanzan on drums) keeps spreading their powerful and uniquely vibrant sound, deeply rooted in free jazz avant-garde but heavily influenced by traditional folk music, and at the same time open to extreme sound experiments. <br /> Over the years the perpetual research for new and challenging combinations has led Genta and Vanzan to form a large variety of ensembles and to collaborate with artists as Bill Nace, Chris Corsano, Thurston Moore, Dror Feiler, Dylan Nyoukis, Hartmut Geerken, Makoto Kawabata, John Edwards, Mette Rasmussen and many others.<br /> The duo has also been working with the Merce Cunningham Dance Company alongside
John Paul Jones and Takehisa Kosugi, performing for “Nearly Ninety” in main theatres in Madrid and London, and has also been a long time favourite of emblematic figures such as Henry Rollins and Sonic Youth and magazine The Wire.”<br /> <a href="http://jooklo.tk/" target="_blank">http://jooklo.tk/</a><br /> <br /> “Mette Rasmussen is a Danish saxophone player based in Trondheim, Norway. She works in the field of improvised music, drawing from a wide range of influences, spanning free jazz to textural soundwork. Rasmussen works on exploring the natural rawness of her instrument – experimenting on what the saxophone is capable of in sound and expression, with and without preparations. Much in demand, she has performed with the likes of Alan Silva, Chris Corsano, Ståle Liavik Solberg, and with her Trio
Riot group with Sam Andreae and David Meier.”</p>
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<td style="text-align: center; vertical-align: middle;" colspan="2"><br /> <span style="font-size: small;"><a href="http://interpenetration.net">Interpenetration website</a><br /> <br /> <a href="http://www.youtube.com/user/marufura">chmafu nocords auf youtube</a> </span><br /> <br /> <a href="mailto:office@dieeintrittskarte.at"><br /> </a>
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