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<td><br /> <span style="font-size: small;"><a href="http://nocords.net">chmafu nocords</a> newsletters</span><span style="font-size: small;"><br /> <span style="font-size: medium;"><big style="font-weight: bold;"><big>Interpenetration </big></big></span><br /> Konzertreihe</span></td>
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<td style="text-align: center; vertical-align: top; white-space: nowrap;"><span style="font-weight: bold;">07.04.2016</span><br /> <br /> <big style="font-weight: bold;">Patrizia Oliva<br /> Chiao-Hua Chang</big> <br /> <br /> Club Wakuum<br /> Griesgasse 25<br /> 8020 Graz<br /> Einlass: 20:00<br /> Konzerte ab 21:00</td>
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<td style="text-align: center; vertical-align: middle;" colspan="2"><br /> Dieser Donnerstag wird wieder einer meiner liebsten, weil wieder einmal nur frauen auf der bühne sind. Und unterstützen lässt sich solches am effektivsten durch anwesenheit. Wir sehen uns also am Donnerstag...<br /> <br /> Bevor ich euch aber wieder in ruhe lasse, muss ich eure aufmerksamkeit noch kurz auf folgende petition richten: <br /> <a href="https://www.parlament.gv.at/SEC/Zustimmen.shtml?ebiDocumentUri=%2FPAKT%2FVHG%2FXXV%2FPET%2FPET_00065%2Findex.shtml&inr=65&ityp=PET&gpCode=XXV">Abänderung des Entwurfs zur Abänderung des Tabakgesetzes (65/PET)</a> <br /> <span class="st">Ein paar worte dazu (ausführliche infos <a href="https://www.parlament.gv.at/PAKT/VHG/XXV/PET/PET_00065/fname_506957.pdf">hier</a>): <br />Das dampfen (e-zigaretten) hat nachweislich menschen geholfen,
mit dem rauchen aufzuhören und dadurch einem potenziellen frühen tod von der schippe zu springen. Viele dampfen (was laut studien um ca. 95% weniger schädlich ist als rauchen), andere konnten komplett aufhören - und das viele mit leichtigkeit. Nun fehlen natürlich anderen die einnahmen aus dem zigarettenverkauf bzw. aus den dementsprechenden steuern. Und, wie auch in anderen bereichen üblich, wird nicht kreativ nach neuen ideen gesucht, sondern es wird versucht über gesetze zu regulieren (so viel zum viel gelobten freien markt). Dass es nicht stimmt, dass geld nicht stinkt, ist nicht zuletzt hiermit ausreichend belegt. Es stinkt nämlich nach zerstörung von existenzen und nach dem süsslichen duft von menschenleichen. Wer, wie ich, letzterem den süsslichen duft einer
dampfe vorzieht, sollte sich also den inhalt der petition durchlesen und eine unterzeichnung erwägen.<br /> 又ね<br /> </span><span class="st">愛</span><br /> <span style="font-size: small;"><br /> </span> <br /> <span style="font-weight: bold;">Patrizia Oliva</span><br /> <br /> Patrizia Oliva is using mainly the voice as an instrument, in addition to various electronic instruments, Bawu, flute, objects, bells,and no computer. Her live set is pure free improvisation, except sometimes she use for small electronic parts that she have pre-recorded, on which, however sudden. Her research – which she uses only a marginal elements of the folk tradition – is aimed at a redefinition of contemporary solo singer; Her performance is also gestural and transcendental. She work on radical and experimental music and the research is not standardized. She is
interested to crystallize moments as if they were to become carpet sound of pure noise and melodies. Improvising is not no-composition, it’s just that everything happens in that one moment it is instantaneous composition. What leads her to make music today is try to be conscious expression of the cosmos.<br /> <br /> <a href="http://www.patriziaoliva.wordpress.com/">http://www.patriziaoliva.wordpress.com/</a><br /> <br /> <br /> <span style="font-weight: bold;">Chiao-Hua Chang</span><br /> <br /> en route into silence (2014, Wolfgang Liebhart)
for Gaohu/Zhonghu solo and live-electronic<br /> With this composition wanted to show how two old traditional Chinese instruments from the erhu family, independent from their tradition, suddenly produce a for them unusual musical aesthetics and, by adding live-electronic technics, a completely new sonic cosmos. I use
these tools deliberately in a for them unusual musical context, but in this case, I largely do it almost without any experimental playing techniques.<br /> <br /> Chiao-Hua Chang, from Chiayi City, Taiwan, finished her master degree from the Graduate Institute of Ethnomusicology, Tainan National University of the Arts with her master thesis “The Catholic Mass of Tsou People in Mt. Ali of Taiwan” in 2008. She studied Erhu with Mr. Ming-Gun Jiang and Mr. Bing-Heng Tsai, and got her bachelor degree in music from Shih-Chien University in 2001. After graduating from college in 2001, Miss Chang came back to her hometown and devoted herself to Erhu teaching in elementary schools, high schools, and lifetime education institutes.<br /> <br /> Now Miss Chang teaches Erhu in the Chiayi Community University and Chiayi Junior High School, and she often
organizes public-interest performances in hospitals and care centers with her students, making contribution to the society.<br /> <br /> Since 2013 Chang now lives as a freelance musician in Vienna, Austria.<br /> <br /> <a href="https://soundcloud.com/solmido/akokay-1-for-shakuhachi-erhu-guzheng-live-electronic">https://soundcloud.com/solmido/akokay-1-for-shakuhachi-erhu-guzheng-live-electronic</a><span style="font-size: small;"><br /> </span><br /> <br /> <span style="font-size: small;"><br /> </span>
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<td style="text-align: center; vertical-align: middle;" colspan="2"><br /> <span style="font-size: small;"><a href="http://interpenetration.net">Interpenetration website</a><br /> <br /> <a href="http://www.youtube.com/user/marufura">chmafu nocords auf youtube</a> </span><br /> <br /> <a href="mailto:office@dieeintrittskarte.at"><br /> </a>
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