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<td><br /> <span style="font-size: small;"><a href="http://nocords.net">chmafu nocords</a> newsletters</span><span style="font-size: small;"><br /> <span style="font-size: medium;"><big style="font-weight: bold;"><big>Interpenetration </big></big></span> <br /> Konzertreihe</span></td>
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<td style="text-align: center; vertical-align: top; white-space: nowrap;"><span style="font-weight: bold;">04.03.2015</span> (mi)<br /> <br /> <big style="font-weight: bold;">Tripes<br /> Diatribes</big> <br /> <br /> Club Wakuum<br /> Griesgasse 25<br /> 8020 Graz<br /> Einlass: 20:00<br /> Konzert: 21:30</td>
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<small><span style="font-size: small;"><br /> Aktuelle Informationen und Videos: <a href="http://interpenetration.net">http://interpenetration.net</a></span><br /> <br /> </small>
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<td style="text-align: center; vertical-align: middle;" colspan="2"><br /> In schweren zeiten wie diesen kann es ganz erholsam sein, hie und da einmal etwas leichtes, erfrischendes zu machen. Hier also ein nettes, kleines spiel für euch, zum durchatmen: <a href="http://de.silvergames.com/can-your-pet">Can Your Pet?</a><br /> Wer's nicht selbst spielen, aber trotzdem ein bisserl entspannen will, kann <a href="http://www.youtube.com/watch?v=3eI50bJlqQc">hier</a> kindern dabei zuschauen, wie sie Can Your Pet? geniessen.<br /> <span class="st">又ね<br /> </span><span class="st">愛</span><br /> <span style="font-size: small;"><br /> </span> <br /> <big style="font-weight: bold;">Tripes</big>
<p>Jean-Brice Godet – Clars / Julien Chamla – Dms / Marco Quaresimin – Ctb</p>
<p>Tripes is a trio.<br /> Tripes is a JazzSuicide trio.<br /> Tripes is a trio working on provoking trans by boredom, using very long forms with a minimalistic material.<br /> Tripes is a trio who creates endless tunnels of patterns that all look like the same but are modifying by themselves imperceptibly.<br /> Tripes is a trio…</p>
<p>Jean-Brice Godet starts to studie clarinet at 8 years old. When he was 17, he discovers Albert Ayler, Sonic Youth, Ligeti, Duke Ellington at the same time, and take the way of free improvisation. In 2004 he gets a master in computer music research (Pierre and Marie Curie University / IRCAM). After decisive meetings (Joeëlle Léandre, Fred Frith…), he enters diferents bands (Fröhn, P.Cueco, Mujô, A.Braxton…) with which he plays in Paris, Berlin, New York… he wrote two movie-concerts : Le Rat by Christophe Ali and Nicolas Bonilauri, and Berlin, die sinfonie der grosstatd (Walter Ruttmann, 1927), commission from SACEM and the the city of Gennevilliers. He plays curently in the clarinet quartet Watt, and the Joëlle Léandre’s tentet.</p>
<p>Julien Chamla est diplômé de l’American School of Modern Music en 2008, où il a appris l’écriture contemporaine, la direction d’orchestre et l’improvisation à travers le répertoire « jazz ». Il joue et compose au sein du quartet de jazz contemporain WE ARE ALL AMERICANS aux côtés entres autres du guitariste Danois Hasse Poulsen. Il s’est produit sur de nombreuses scènes alternatives dans une dizaine de pays européens depuis 2008 avec les trios SOMNA et HIPPIE DIKTAT. Il développe un jeu plus improvisé, notamment avec l’électroacousticien Simon Henocq avec qui il fonde le duo HELVED RÜM. Il multiplie les échanges avec d’autres formes d’expressions artistiques comme la danse ou plus récemment le théâtre en mettant en musique la pièce « Comme un lis entre les épines » de !
Fernando
Arrab.</p>
<p>Marco Quaresimin. He moved from Italy to Paris in 2011 after being very active in the italian scene as professional doublebass and bass player, arranger and performer, for about ten years. In France he has started an intense activity as improviser with is solo project and with many musicians of tha parisian’s scene (the syrian singer Noma Omran, the COAX collective). He has worked with Tristan Honsinger, Joëlle Léandre, Mats Gustafsson, Roberto Dani, Giancarlo Schiaffini, and played in France, Germany, Italy and Belguim in differents clubs, cultural centers and festivals. He has recorded with the bassist Danilo Gallo and the saxophone player Piero Bittolo Bon, from the collective “El gallo rojo” and with the french free jazz quintet Healing Unit («Music to run and shout» Futura / Marge 2013). In 2012 he has publied the album « Apathic avant-jazz anthems» with his italian band A.I.R.E., for wich he composes (El Gallo Ro!
jo
records, JAZZIT Awards 2013 Best 100 albums).</p>
<p><a href="http://tripescerebrales.bandcamp.com/" target="_blank">http://tripescerebrales.bandcamp.com</a></p>
<p><big style="font-weight: bold;"><br /> Diatribes</big></p>
<p>d’incise & Cyril Bondi<br /> Melodica & bass melodica, louspeakers, objects, electronic, microphones</p>
<p>Great stone/Blood dunza LP release tour:</p>
<p>In the 70’s, a few adventurous jamaican sound engineers developed a revolutionary approach to the deconstruction of their mixes with a very playful use of,<br /> at that time, new technological effects, the dub, that would become a major influence on every beat based dance music.</p>
<p>Amongst them, Osbourne Ruddock aka King Tubby added his unique touch to hundred of productions, recognizable by his trademark colors, spring reverbs, filters and tape delays.<br /> Already in “Augustus” the diatribes duo tried to invoke some of these dub characters, the presence of heavy subs, the melodicas, repetitive percussive elements,<br /> but those ended-up buried in a post-improv attitude and form.</p>
<p>On this latest record, the attempt continues with the deconstruction of two classical roots reggae tunes from the 70’s that passed by the dub master King Tubby’s genius’ hands.<br /> Obviously once again the sources are extented to an electroacoustic approach. The bass lines and melodic themes are stretched, the “effects” themselves treated as sound material.</p>
<p>“Great Stone” focuses more on the melodic aspects, with an echo/delay/tape ghost reference as d’incise and Cyril Bondi overdub the piece on its previous rehearsal recordings,<br /> while basses evoke the trembling walls at sound system parties.</p>
<p>“Blood dunza” is perhaps more “dub”, the subtraction of “tracks” leads to silences, the basses act as a central pillar. Spring reverbs/noises, “chords” and even rhythm fragments appear and disappear.</p>
<p>As far as these two Diatribes pieces are from their supposed sources, the working process behind them, the circulation between conceptual or sometimes metaphorical elements, allows things to happen that in an other context would perhaps not have been dared.</p>
<p>Diatribes, a Geneva based duo, continues his exploration of simplification and rational rituality, and presents a couple of new pieces tighted together by strict sonic or structural principles. Highly detailed textures, repeated gestures, soft tones, febrile pulses and acoustic hyper-sensibility.<br /> The duo, two improvisors working as complementarity since 2004, after a voracious youth exploring free jazz, noise, musique concrête and free improv, and many collaborations with international musicians such as Magda Mayas, Bertrand Gauguet, Robin Hayward, Dominic Lash, Partick Farmer, Derek Shirley and Hannah Marshall, Barry Guy, Keith Rowe, amongst others, has chosen to focus on a rather introverted process of creation. During the past year they have intensely toured across Europe and beyond.<br /> Cyril Bondi and d’incise are both very active in the Swiss experimental scene, leading the Insub Meta Orchestra, a very large ensemble, and created in the INSUB. la!
bel,
netlabel & association (since 2006, as Insubordinations). Their unstoppable energy led them to build a strong network around these activities. They have other bands together, including Queixas (with Abdul Moimême) and a subbass quartet (with Derek Shirley and Dragos Tara), and other occasional collaborations.<br /> Cyril plays solo and with the post-jazz trio Plaistow and d’incise plays solo, works on electro-acoustic set-ups and compositions, and does graphic designs.</p>
<p><a href="http://www.dincise.net/diatribes" target="_blank">http://www.dincise.net/diatribes</a></p>
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