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<td><br /> <span style="font-size: small;"><a href="http://nocords.net">chmafu nocords</a> newsletters</span><span style="font-size: small;"><br /> <span style="font-size: medium;"><big style="font-weight: bold;"><big>Interpenetration </big></big></span> <br /> Konzertreihe</span></td>
<td style="width: 160px; text-align: right;"><a href="http://interpenetration.net"><img style="border: 0px solid; width: 374px; height: 37px;" src="http://chmafu.mur.at/newsletter/interpenetration-newsheader.png" alt="Interpenetration" /></a></td>
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<td style="text-align: center;" colspan="2"><img style="width: 768px; height: 768px;" src="http://chmafu.mur.at/letoy.jpg" alt="" /></td>
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<td style="text-align: center; vertical-align: top; white-space: nowrap;"><span style="font-weight: bold;">28.01.2015 (mi)</span><br /> <br /> <big style="font-weight: bold;">Noid & Matija Schellander</big> <br /> <br /> Club Wakuum<br /> Griesgasse 25<br /> 8020 Graz<br /> Einlass: 20:00<br /> <br /> -<br /> <br /> <span style="font-weight: bold;">30.01.2015 (fr)</span><br /> <br /> <big style="font-weight: bold;">Le Toy</big> <br /> <br /> Club Wakuum (parterre)<br /> Griesgasse 25<br /> 8020 Graz<br /> Einlass: 20:00<br /> Eintritt: euro 5 </td>
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<small><span style="font-size: small;"><br /> Aktuelle Informationen und Videos: <a href="http://interpenetration.net">http://interpenetration.net</a></span><br /> <br /> </small>
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<td style="text-align: center; vertical-align: middle;" colspan="2"> <br /> <big style="font-weight: bold;">Noid & Matija Schellander</big><br />
<p><strong>noid</strong> /aka arnold haberl, *1970, living in vienna ………<br /> ……….. composer . performer . improviser | auricular . cello . electronic devices ………………………………………………….<br /> his musical approach can be described as fundamental research.<br /> his works span a wide range of contradictory outcome, from solos to compositions for ensembles, from sound installations to videos.<br /> using electronics as well as acoustical instruments.<br /> consequently denying the borderline between music and sound-art.<br /> this lead him to collaborations with artists of different fields:<br /> choreographers, like joão fiadeiro, colette sadler, akemi takeya, philipp gehmacher, etc…<br /> visual artists as for instance alexander schellow, heike kaltenbrunner, erik hable or andré goncalves!
.<br />
as an improvisor he performs among others with: klaus filip, taku unami, o.blaat, axel doerner, christian weber, erikM, dieb13, kazuhisa uchihashi,<br /> burkhard stangl, yan jun, taku han-noda, carl stone, mattin, etc…<br /> he is programmer for the “ppooll” project: an open source / copyleft / freeware, designed for live – improvisation, composition, interactive installations, etc…<br /> together with klaus fillip (the main programmer) he was invited to present this software at the cycling74 user conference in san francisco april 2009<br /> he is part of the organizing team for the annual “reheat” interdisciplinary festival,<br /> and he was curating soundart exhibitions in the frame of the “konfrontationen nickelsdorf” festival in 2009 and 2010.<br /> <a href="http://noid.klingt.org/" target="_blank">http://noid.klingt.org</a></p>
<p><strong>Matija Schellander</strong>, *1981<br /> Matija Schellander is an Austrian composer and improvising musician<br /> based in Vienna, mostly using double bass, modular synthesizer,<br /> and speakers: processing input, moving air output.<br /> Schellanders music is conceptual, but it never dismisses the non-rational, sensual communicational possibility intrinsic in music.<br /> In recent years he has focused deeply on music for double bass solo, developing a project consisting of three parts that incorporates space, movement, light and sound during his stay in Berlin in 2011/12. (part 1)<br /> Another double bass solo project is new music for Dreyer´s Passion of Joan of Arc, commisioned by the Filmarchiv Austria in 2013.<br /> In 2012 Schellander released his first solo CD “sum šum” with 7 electroacoustic compositions inspired by dystopic literature and movies on the label The Manual (Seoul, South Korea).<br /> Schellander regularly works wi!
th Maja
Osojnik in their electroacoustic duo Rdeča Raketa. Founded in 2008, they have released the tape “Old Girl, Old Boy” on mosz records (2010) and the LP “wir werden” (“we will”) on god records (2013).<br /> “Wir werden” consists of two carefully composed pieces each spanning one side of the vinyl album, organically blending various electronic sound sources and field recordings with acoustic instruments like paetzold recorder, double bass and piano.<br /> Opened and closed by spoken word lyrics, Wir werden deals with the past repeating, movements and their absence in front of systems appearing to be crumbling, relationships between people and their inner fears.<br /> Schellander also collaborates with Attila Faravelli, who released the sound object “freie aerophone” (from his series Aural Tools) inspired by Schellanders solo double bass music in 2012. http://auraltools.tumblr.com/<br /> Schellander has worked with many!
great
musicians and composers, including , Ryu Hankil, Choi Joonyong, Burkhard Stangl, Franz Hautzinger, Klaus Filip, Okkyung Lee, Michael Bruckner, Isabelle Duthoit, Kazuhisa Uchihashi, Michael Thieke, Bernhard Lang, Jorge Sanchez-Chiong, Lukas König, Enrico Malatesta, Martin Brandlmayr, Metalycée, Raumschiff Englmayr, Bernhard Breuer and many more.<br /> <a href="http://matija.klingt.org/" target="_blank">http://matija.klingt.org</a></p>
<span style="font-size: small;"><br /> </span><big style="font-weight: bold;">Le Toy</big><br />
<p>Le Toy ist das gemeinsame Projekt von Flo (Stinatz) und Makki (Hartberg). Er, ein sanftäugiger Metal-Hard-Rock-Haudegen; Sie, eine aufgedrehte Pop-Elektro-Schmalzwalze. Gemeinsam sind sie genau richtig.</p>
<p>Auf ihren Reisen durch weit entfernte Galaxien, durch schimmernde Wurmlöcher und gruselige Risse im Universum haben Le Toy vor allem Eines gelernt: There’s No Place Like Earth!</p>
<p>Nun sind sie zurückgekehrt -voller Liebe und Empathie für die Sorgen und Nöte ihrer irdischen Kollegen. Aber auch voller Begeisterung für deren Ausschweifungen und Musik. Räudige Bässe, krachende Gitarren, sonore Synthesizer und seidige Frauenstimmen haben es ihnen besonders angetan und sie trugen das alles zusammen. Synthipop oder Electro, Rock oder Metal? Einzelne Schubladen sind ihnen zu wenig. Le Toy nehmen den ganzen Kasten.</p>
<p><a href="https://soundcloud.com/letoy" target="_blank">https://soundcloud.com/letoy</a></p>
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<td style="text-align: center; vertical-align: middle;" colspan="2"><br /> <span style="font-size: small;"><a href="http://interpenetration.net">Interpenetration website</a><br /> <br /> <a href="http://www.youtube.com/user/marufura">chmafu nocords auf youtube</a> </span><br /> <br /> <a href="mailto:office@dieeintrittskarte.at"><br /> </a>
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