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<td><br /> <span style="font-size: small;"><a href="http://nocords.net">chmafu nocords</a> newsletters</span><span style="font-size: small;"><br /> <span style="font-size: medium;"><big style="font-weight: bold;"><big>Interpenetration </big></big></span> <br /> Konzertreihe</span></td>
<td style="width: 160px; text-align: right;"><a href="http://interpenetration.net"><img style="border: 0px solid; width: 374px; height: 37px;" src="http://chmafu.mur.at/newsletter/interpenetration-newsheader.png" alt="Interpenetration" /></a></td>
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<td style="text-align: center; vertical-align: top; white-space: nowrap;"><span style="font-weight: bold;">29.10.2014 (mi)</span><br /> <br /> <big style="font-weight: bold;">Fe<Male Fou<br /> Bird People</big> <br /> <br /> Club Wakuum<br /> Griesgasse 25<br /> 8020 Graz<br /> Einlass: 20:00</td>
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<small><span style="font-size: small;"><br /> Aktuelle Informationen und Videos: <a href="http://interpenetration.net">http://interpenetration.net</a></span><br /> <br /> </small>
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<td style="text-align: center; vertical-align: middle;" colspan="2"><br /> Diese woche am Donnerstag beginnt das Queerograd festival unserer freunde von KiG - Kultur in Graz (ein "damals bei Interpenetration" newsletter ist dazu geplant). Lasst deshalb aber nicht den Mittwoch aus - letzte woche hat gezeigt wie desaströs solch verhalten für die ohren sein kann.<br /> <span class="st">又ね<br /> </span><span class="st">愛</span><br /> <span style="font-size: small;"><br /> </span> <br /> <big style="font-weight: bold;">Fe<Male Fou</big><br /> <span style="font-size: small;"><br /> </span>Fe<Male Fou is a “one girl band” born in May 2013 .<br /> She blends Noise/Drone Ambient sounds with criterion Lofi to propose experiments with the use of guitars that exploit non-standard tunings and unusual objects used on the strings, all combined with sick and ethereal voice. The concept of this approach is a kind of operation “on the flesh” as a !
synonym
for matter/object.<br /> <a href="https://soundcloud.com/femalefou">https://soundcloud.com/femalefou</a><br /> <br /> Fe<Male Fou INTERVIEWED by “REVERSE RECORDS UK”<br /> <br /> RRUK: Let’s start with your band name, what made you choose it for this project?<br /> Fe<Male Fou: I have chosen the name “Fe<Male Fou” because I liked the sound of this words, it gives me an idea of a kind of “dissonance”. This concerns the man and the woman. the symbol ”<” represents the submission of the woman to the evil. This is a kind of word game because “male” in Italian means “evil” and “pain” , while in English it represents the “male” gender. So this should be seen as a double submission: to the evil and to men. The word “Fou” is French, it represents chaos, fusion, sense of possession, boredom, sickness, disease. Until you come to surrende!
r and
acceptance of loneliness and then autoerotism.<br /> <br /> RRUK: How would you describe your sound and working process?<br /> FMF: My sound is very difficult to define. It could be seen as a sub-genre or as an independent genre. It is very hard to define what is the “style” of my tracks, because they are very different from each other and I do not have nothing to hide when saying that sometimes I invent the name of the styles.(ahahaah , for example “drone audible”) When I need to generalize, I use the word drone, lo-fi because I record everything alone in my room, with very cheap tools. I have never recorded in a studio for financial reason. But “roughness” – this is what it means basically low-fi- it is perfect for the kind of sound I want to achieve. I only use PC for recording and mastering. I never modify the original sound. I prefer working on the “causes” rather than on the effects . I!
n my
case, the “cause” is guitar, I change the positions of strings , I combine them in a different way, I use different tunes, and all these things mixed together give the dissonances I need. Of course I work even on the “effects”, like pedals or tools that arouse some funny vibration on the strings.-_____________________________________——><br /> Complete interview here: <a href="http://recordsreverse.wordpress.com/2014/05/01/interview-with-fe/">http://recordsreverse.wordpress.com/2014/05/01/interview-with-fe/</a><br /> <br /> <br /> <big style="font-weight: bold;">Bird People</big><br /> <br /> Bird People is a solo and collaborative project formed in 2010 by sound artist Uli Rois, who also runs Feathered Coyote Records. Rois uses a variety of acoustic and electronic instruments to create soundscapes centered around the drone but open to all possible ideas that may emanate from the void. The project also serves as a vehicle for Rois&!
rsquo;
ongoing investigation into the relationship between humankind and the natural world. To that end, Bird People often uses field recordings and acoustic instruments in conjunction with synthesizers and other electronic devices.<br /> Recent releases include a split tape with A Story of Rats (March 2013, Feathered Coyote Records), a split tape with Hering und seine sieben Sachen (August 2013, SicSic Tapes / Feathered Coyote Records), “Water Buffalo” (April 2013, Sloow Tapes),<br /> “Terma” (November 2013, Jehu & Chinaman), “Autumnal Hum” (April 2014, Dead Vox), “King of the Grove” (April 2014, Yerevan Tapes) .<br /> Rois is currently also working on a collaborative effort, which will include work by Garek Druss (A Story of Rats), Glen Steenkiste (Hellvete), Federico Fossati (Pandelindio) and many other friends.<br /> <a href="http://bird-people.bandcamp.com/">http://bird-people.bandcamp.com/</a><br /> <a
href="https://soundcloud.com/bird-people">https://soundcloud.com/bird-people</a><br /> <br /> <span style="font-size: small;"><br /> </span>
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<td style="text-align: center; vertical-align: middle;" colspan="2"><br /> <span style="font-size: small;"><a href="http://interpenetration.net">Interpenetration website</a><br /> <br /> <a href="http://www.youtube.com/user/marufura">chmafu nocords auf youtube</a> </span><br /> <br /> <a href="mailto:office@dieeintrittskarte.at"><br /> </a>
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